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Paston, George. The "Monthly Review." In Side-Lights on the Georgian Period. 8vo. London, 1903.

Smiles, Samuel. A Publisher and his Friends. Memoir and Correspondence of the late John Murray, etc. 2 vols. 8vo. London and New York, 1891.

Last Century Magazines. (By T. H.) Fraser's Magazine, XCIV (325-333).

Layton, W. E. Early Periodicals. In The Bibliographer, III (36-39).

Lee, William. Periodical Publications during the Twenty Years

1712 to 1732. Notes and Queries (Third Series), IX (53–54, 72-75, 92-95). Cf. ibid., pp. 164, 268, and X, p. 134.

Niven, G. W. On some Eighteenth Century Periodicals. In The Bibliographer, II (38-40).

Parkes, Samuel. An Account of the Periodical Literary Journals which were Published in Great Britain and Ireland, from the Year 1681 to the Commencement of the Monthly Review in the year 1749. In The Quarterly Journal of Science, Literature and the Arts (1822), XIII (36-58, 289–312).

Stephen, (Sir) Leslie. The First Edinburgh Reviewers. In Cornhill Magazine, XXXVIII (218-234). Also in Living Age, CXXXVIII (643-653).

Waugh, Arthur. The English Reviewers. A Sketch of their History and Principles. In The Critic, XL (26-37).

Allingham, William. Varieties in Prose. 3 vols. 12mo. London, 1893. Vol. III contains Some Curiosities of Criticism, reprinted from Fraser's Magazine, LXXXVII (43-51). Arnold, Matthew. Essays in Criticism. First Series. 12mo. London, 1865. Contains The Function of Criticism at the Present Time.

Birrell, Augustine. Men, Women, and Books. 16mo. London, 1894. Contains Authors and Critics.

Collins, J. Churton. Ephemera Critica, or Plain Truths about Current Literature. 12mo. Westminster and New York,

[Copleston, Edward.] Advice to a Young Reviewer, with a SpeciOxford and London, 1807. Reprinted Critical Essays and Literary FragNew York, 1903.

men of the Art. 8vo.
in An English Garner.
ments, ed. J. C. Collins.

Disraeli, I. Calamities and Quarrels of Authors. A New Edition, etc. 12mo. London, n. d. Contains Undue Severity of Criticism.

Gayley, C. M., and Scott, F. N. An Introduction to the Methods and Materials of Literary Criticism, etc. 12mo. Boston, 1899.

Jennings, Henry J. Curiosities of Criticism. 12mo. London, 1881. See Eclectic Magazine, XCVII (420-423).

Johnson, Charles F. Elements of Literary Criticism. 12mo. New York, 1898.

Mabie, Hamilton W.

Essays in Literary Interpretation. 12mo. New York, 1896. Contains The Significance of Modern Criticism.

Matthews, William. The Great Conversers, and other Essays. 12mo. Chicago, 1874. Contains Curiosities of Criticism. Repplier, Agnes. Books and Men. 16mo. Boston, 1888. Contains Curiosities of Criticism.

Robertson, John M. Essays toward a Critical Method. Sm. 8vo. London, 1889. Contains Science in Criticism.

Robertson, John M.

New Essays toward a Critical Method. Sm. 8vo. London, 1897.

Sears, Lorenzo. Principles and Methods of Literary Criticism. 12mo. New York and London, 1898.

Stevenson, E. Early Reviews of Great Writers (1786-1832): Selected and Edited with an Introduction.

don, n. d.

12mo. Lon

Trent, W. P. The Authority of Criticism and other Essays. 12mo. New York, 1899.

Winchester, C. T. Some Principles of Literary Criticism. 12mo. New York, 1899.

Worsfold, W. Basil. The Principles of Criticism. An Introduction to the Study of Literature. New Edition. 8vo. New York, 1902.

Wylie, Laura Johnson. Studies in the Evolution of English Criticism. 16mo. Boston, 1894.

Allen, Grant. The Decay of Criticism. In Fortnightly Review, XXXVII (339–351).

Clarke, Helen A. The Value of Contemporary Judgment. In Poet-Lore, V (201-209).

Critical Errors. In Chamber's Journal, XLII (164-166).

Criticism Extraordinary. In All the Year Round, XXXIII (558563).

G. L. A. Some Curiosities of Criticism. In Temple Bar, LXXX (241-247).

Howe, Herbert Crombie. The Contradictions of Literary Criticism. In North American Review, CLXXV (399–408). Hunt, T. W. Critics and Criticism. In Modern Language Notes, IV, p. 161.

EARLY REVIEWS OF ENGLISH POETS

THOMAS GRAY

ODES. By Mr. Gray. 4to. Is. Dodsley.

As this publication seems designed for those who have formed their taste by the models of antiquity, the generality of Readers cannot be supposed adequate Judges of its merit; nor will the Poet, it is presumed, be greatly disappointed if he finds them backward in commending a performance not entirely suited to their apprehensions. We cannot, however, without some regret behold those talents so capable of giving pleasure to all, exerted in efforts that, at best, can amuse only the few; we cannot behold this rising Poet seeking fame among the learned, without hinting to him the same advice that Isocrates used to give his Scholars, Study the People. This study it is that has conducted the great Masters of antiquity up to immortality. Pindar himself, of whom our modern Lyrist is an imitator, appears entirely guided by it. He adapted his works exactly to the dispositions of his countrymen. Irregular[,] enthusiastic, and quick in transition,—he wrote for a people inconstant, of warm imaginations and exquisite sensibility. He chose the most popular subjects, and all his allusions are to customs well known, in his day, to the meanest person.*

* The best Odes of Pindar are said to be those which have been destroyed by time; and even they were seldom recited among the Greeks, without the adventitious ornaments of music and dancing. Our Lyric Odes are seldom set off with these advantages, which, trifling as they seem, have alone given immortality to the works of Quinault.

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