University of California Publications in English, Том 191948 |
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Результати 1-3 із 67
Сторінка 133
... critics , like Arnold , saw in wit frivolity , because it rationally played with differences rather than emotionally constructing likenesses as " high serious- ness " should . For these critics , the decorum rather than the drama of ...
... critics , like Arnold , saw in wit frivolity , because it rationally played with differences rather than emotionally constructing likenesses as " high serious- ness " should . For these critics , the decorum rather than the drama of ...
Сторінка 348
... critics have a strong impression of the difference between the two , a difference significant to define . The definitions take various forms . A favorite of the recent " close critics " is normative , set- ting up eighteenth - century ...
... critics have a strong impression of the difference between the two , a difference significant to define . The definitions take various forms . A favorite of the recent " close critics " is normative , set- ting up eighteenth - century ...
Сторінка 471
... critics see clear specific social meanings , which they wish art to embody pre- cisely and immediately ; some feel that such embodiment is not by choice but is inevitable . Other critics take art as expressive gesture or transformation ...
... critics see clear specific social meanings , which they wish art to embody pre- cisely and immediately ; some feel that such embodiment is not by choice but is inevitable . Other critics take art as expressive gesture or transformation ...
Зміст
Twenty Poets of the 1640s | 46 |
Critical Attitudes and Descriptive Conclusions | 125 |
The Primary Language of Poetry in the 1740s | 160 |
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abstract adjectival adjectives atmospheric baroque beauty blank verse bright characteristic classical Coleridge couplet Cowley Crashaw critics death decade decade's descriptive divine Donne Donne's Donnic Dryden earth eighteenth eighteenth-century Eliot emotional emphasis English English Poetry epithets Essays fair familiar feeling flower Gondibert hand heart heaven Herrick human images Jonson JOSEPHINE MILES language light lines London Lycidas lyrical major terms metaphor metaphysical metaphysical poets Milton mind mode modern narrative nature night nouns objects onomatopoeia Oxford pattern poems poetic poetry poets Pope predicative Press proportion prose qualities Quarles rhyme Richard Crashaw romantic scene seems sense seventeenth century shared song sort soul sound Spenser spirit stanza stress structure style sublime substantival suggest sweet symbol T. S. Eliot thee things Thomas Warton thou thought tion truth Univ universal UNIVERSITY OF CALIFORNIA Vaughan verbs verse vocabulary Waller Warton words Wordsworth York ΙΟ