The Portfolio: Monographs on Artistic Subjects..., Випуски 1 – 3Philip Gilbert Hamerton Seeley, 1894 |
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Сторінка 10
... styles ( for he had several styles ) and with the very different moods of his versatile and generally quite original mind . He sometimes borrowed from others , but not often , and though it is now evident that he accepted assistance in ...
... styles ( for he had several styles ) and with the very different moods of his versatile and generally quite original mind . He sometimes borrowed from others , but not often , and though it is now evident that he accepted assistance in ...
Сторінка 11
... style , condemning the " obtrusive , licentious , slovenly conduct of his pencil " as " not less disgusting than it is useless . " Opie spoke of him as " foremost of those who in the opinion of some critics cut the knot instead of ...
... style , condemning the " obtrusive , licentious , slovenly conduct of his pencil " as " not less disgusting than it is useless . " Opie spoke of him as " foremost of those who in the opinion of some critics cut the knot instead of ...
Сторінка 14
... styles . I do not wish to exaggerate the matter , I do not believe that at twenty - one he could have got through such a task as the portrait of the Burgomaster Six , but he had already one of the strings to his bow . At the date of ...
... styles . I do not wish to exaggerate the matter , I do not believe that at twenty - one he could have got through such a task as the portrait of the Burgomaster Six , but he had already one of the strings to his bow . At the date of ...
Сторінка 15
... styles and make experiments , which was in Rembrandt's nature , and remained with him through life . The title of it in Mr. Middleton's catalogue is Rembrandt , a Bust ; supposed to le engraved on Pewter ( B. 336. M. 7. ) . It is a ...
... styles and make experiments , which was in Rembrandt's nature , and remained with him through life . The title of it in Mr. Middleton's catalogue is Rembrandt , a Bust ; supposed to le engraved on Pewter ( B. 336. M. 7. ) . It is a ...
Сторінка 17
... style that he adopted for that class of subject was quite fully developed in 1630 , and there are several etchings of that year , dated , which are not inferior in execution to the numerous beggar subjects of later years . There are ...
... style that he adopted for that class of subject was quite fully developed in 1630 , and there are several etchings of that year , dated , which are not inferior in execution to the numerous beggar subjects of later years . There are ...
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amongst Angelo antique artist Auberge basalt ware beauty Bentley blue and white body Burslem Bust cameos catalogue century chapel CHAPTER Charles Blanc Christ clay collection colour composition copy death decorated Diana Beauclerk Dragut drawing Dutuit effect Elers Elmo Encaustic Painting English engravings etcher etching Etruria example executed figures Flaxman French garrison Gozo Grand Master ground Haden hand harbour imitation interesting island Isola James Tassie jasper-body jasper-dip Jermyn Street John John Flaxman John's Church Josiah Wedgwood Knights KNIGHTS HOSPITALLERS La Vallette labours landscape less Malta Maltese marble material medallions Middleton modelled modern Museum at Valletta Order original ornamental painted picturesque pieces plaques plate Portland Vase portrait potter potworks present preserved productions reliefs Rembrandt Rembrandt's etchings represented Saskia Senglea shade sketch specimens stone Strada Street style tapestry Tassie Thomas Turkish Valletta Vosmaer white jasper Woman