Shakespeare's Tragic SequenceBarnes & Noble Books, 1979 - 207 стор. The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them. |
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Сторінка 60
... Banquo's ghost is not particularly tranquil , nor are the ghosts who appear on the eve of Bosworth Field . In Hamlet it seems that Christian teaching about the after - life is contaminated with memories of the Classics , and perhaps of ...
... Banquo's ghost is not particularly tranquil , nor are the ghosts who appear on the eve of Bosworth Field . In Hamlet it seems that Christian teaching about the after - life is contaminated with memories of the Classics , and perhaps of ...
Сторінка 149
... Banquo's revelation , or that just as he assassinated Duncan , so Banquo will assassinate him so that his descendants will become kings ; but it is also clear that stronger motives for the murder of Banquo are the contrast of his own ...
... Banquo's revelation , or that just as he assassinated Duncan , so Banquo will assassinate him so that his descendants will become kings ; but it is also clear that stronger motives for the murder of Banquo are the contrast of his own ...
Сторінка 153
... Banquo , Lady Macduff ; she is obsessed by the need to prevent him from revealing his guilt and to calm his terrors ; and the symbolic action of washing her hands is a fitting answer to her boast that a little water would clear them of ...
... Banquo , Lady Macduff ; she is obsessed by the need to prevent him from revealing his guilt and to calm his terrors ; and the symbolic action of washing her hands is a fitting answer to her boast that a little water would clear them of ...
Зміст
Apprenticeship | 20 |
Julius Caesar | 42 |
Hamlet | 55 |
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action actor Antony's appears argued audience avenger Banquo behaviour Bolingbroke Bradley Brutus Caesar Cassio cause character Claudius Coleridge confesses conscience contrast Cordelia Coriolanus critics death declares deed Desdemona devil doth dramatic dramatist Edgar Elizabethan evil father fear feeling fool Fortinbras Gertrude Ghost Gloucester gods Goneril Guildenstern guilt Hamlet hates hath heart heaven hell Horatio horror Iago Iago's imagery images jealous kill King Lear L. C. Knights Lady Macbeth Laertes Lear's lovers Menenius merely mind moral motive murder nature night noble Ophelia Othello passion play Plutarch poet Polonius Professor Queen realise Regan regarded revealed revenge Richard Richard II Roderigo Roman Rome Romeo and Juliet Rosencrantz says scene Shake Shakespeare Shakespearian soliloquy soul speaks speech spirit stage suggested suicide tells thee thou thought Timon Timon of Athens Titus Andronicus tragedies tragic hero true villain virtue wife Wilson Knight words