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" There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate exclamations, completed by shrugs, in interrupted phrases, in hints ending in deep sighs. "
Blackwood's Edinburgh Magazine - Сторінка 555
1899
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Youth: And Two Other Stories

Joseph Conrad - 1903 - 410 стор.
...house on the hill — made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...patient expectation, of unapproachable silence. The Russian was explaining to me that it was only lately that Mr. Kurtz had come down to the river, bringing...
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Youth: And Two Other Stories

Joseph Conrad - 1903 - 404 стор.
...house on the hill — made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...patient expectation, of unapproachable silence. The Russian was explaining to me that it was only lately that Mr. Kurtz had come down to the river, bringing...
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The Works of Joseph Conrad, Том 5

Joseph Conrad - 1921 - 440 стор.
...house on the hill — made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...patient expectation, of unapproachable silence. The Russian was explaining to me that it was only lately that Mr. Kurtz had come down to the river, bringing...
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Youth: And Two Other Stories

Joseph Conrad - 1903 - 368 стор.
...house on the hill — made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...patient expectation, of unapproachable silence. The Russian was explaining to me that it was only lately that Mr. Kurtz had come down to the river, bringing...
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Complete Works, Том 16

Joseph Conrad - 1903 - 360 стор.
...ruined house on the hill—made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...ending in deep sighs. The woods were unmoved, like a mask—heavy, like the closed door of a prison—they looked with their air of hidden knowledge, of...
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The Short Story: A Technical and Literary Study

Ethan Allen Cross - 1928 - 524 стор.
...house on the hill — made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...patient expectation, of unapproachable silence. The Russian was explaining to me that it was only lately that Mr. Kurtz had come down to the river, bringing...
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The Living Age, Том 226

1900 - 874 стор.
...side and at the back of the house. The consciousness of there being people In that bush, so silent, eo quiet — as silent and quiet as the ruined house...the glass. The Russian was telling me that it was 222 223 only lately that Mr. Kurtz had come down to the river, bringing along with him that lake tribe....
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Conrad's Fiction as Critical Discourse

Richard Ambrosini - 1991 - 274 стор.
...Russian mariner's tale to the woods: "There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...interrupted phrases, in hints ending in deep sighs" (129). A word is a sound, and speech only a series of grimaces, at the moment of insight which comes...
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Heart of Darkness and Other Stories

Joseph Conrad - 1995 - 244 стор.
...ruined house on the hill - made me uneasy. There was no sign on the face of nature of this amazing tale that was not so much told as suggested to me in desolate...patient expectation, of unapproachable silence. The Russian was explaining to me that it was only lately that Mr Kurtz had come down to the river, bringing...
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Heart of Darkness, With, The Congo Diary

Joseph Conrad - 1995 - 228 стор.
...of other quests and journeys, Kurtz's own story is at last conveyed to Marlow in a non-narrated way, 'in desolate exclamations, completed by shrugs, in...interrupted phrases, in hints ending in deep sighs' (HD, p. 93). It becomes one among a series of possible plots, of alternative signifying systems, that...
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