The Dimensions of Poetry: A Critical AnthologyDodd, Mead, 1966 - 742 стор. |
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Сторінка 392
... present scene is actually the recall of the past . " Again " is used twice more to impress the double view , and the memory of such beauty is then described . When the speaker emerges from the thought of the past , the present contains ...
... present scene is actually the recall of the past . " Again " is used twice more to impress the double view , and the memory of such beauty is then described . When the speaker emerges from the thought of the past , the present contains ...
Сторінка 393
... present of the poem , past and future time mingle . Even as the scenes of five years be- fore became landscapes of sensation , so the mind will contain for the future all " lovely forms " and harmonies of the present scene . Even the ...
... present of the poem , past and future time mingle . Even as the scenes of five years be- fore became landscapes of sensation , so the mind will contain for the future all " lovely forms " and harmonies of the present scene . Even the ...
Сторінка 577
... present after all but a growth out of the past ? 5 10 ( As a projectile form'd , impell'd , passing a certain line , still keeps on , So the present , utterly form'd , impell'd by the past . ) Passage O soul to India ! 2 Eclaircise 2 ...
... present after all but a growth out of the past ? 5 10 ( As a projectile form'd , impell'd , passing a certain line , still keeps on , So the present , utterly form'd , impell'd by the past . ) Passage O soul to India ! 2 Eclaircise 2 ...
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beauty Ben Jonson bird breath bright cloud critical Danny Deever dark dead death doth dramatic dream E. E. CUMMINGS E. M. W. Tillyard earth elegy Emily Dickinson eternal eyes fair fear flowers Gerontion hair hand hath hear heard heart heaven human imagery images John John Donne John Dryden Keats kind King Kubla Khan language leaves light lines live look Lord Lord Randal love's lover Lycidas meaning metaphor Milton mind moon morning mortal Muse nature never night o'er Ozymandias pastoral pattern PERCY BYSSHE SHELLEY play pleasure poem poet poetic poetry reader rhyme rhythm rose round sense shadow Shakespeare ship sigh sing sleep song sonnets soul sound spirit stanza stars sweet symbol tears tell thee theme thine things thought tion tree verse voice W. H. AUDEN weep wind wings woods words young