The Dimensions of Poetry: A Critical AnthologyDodd, Mead, 1966 - 742 стор. |
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Сторінка 120
... poem should be motionless in time As the moon climbs . A poem should be equal to : Not true . For all the history of grief An empty doorway and a maple leaf . For love The leaning grasses and two lights above the sea- A poem But be . 15 ...
... poem should be motionless in time As the moon climbs . A poem should be equal to : Not true . For all the history of grief An empty doorway and a maple leaf . For love The leaning grasses and two lights above the sea- A poem But be . 15 ...
Сторінка 153
... poem in a con- text larger than itself , involving its author , its time , its milieu , its tradition . These perspectives on a poem might conveniently be grouped under two titles : " Poem in Profile " and " Poem in His- tory . " POEM ...
... poem in a con- text larger than itself , involving its author , its time , its milieu , its tradition . These perspectives on a poem might conveniently be grouped under two titles : " Poem in Profile " and " Poem in His- tory . " POEM ...
Сторінка 157
... poem : they are multitudinous , and in any specific poem , they are in unique arrangement . Each poem must , therefore , determine the nature of its own analysis . Perhaps in one poem the dominant component will be imagery or diction ...
... poem : they are multitudinous , and in any specific poem , they are in unique arrangement . Each poem must , therefore , determine the nature of its own analysis . Perhaps in one poem the dominant component will be imagery or diction ...
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beauty Ben Jonson bird breath bright cloud critical Danny Deever dark dead death doth dramatic dream E. E. CUMMINGS E. M. W. Tillyard earth elegy Emily Dickinson eternal eyes fair fear flowers Gerontion hair hand hath hear heard heart heaven human imagery images John John Donne John Dryden Keats kind King Kubla Khan language leaves light lines live look Lord Lord Randal love's lover Lycidas meaning metaphor Milton mind moon morning mortal Muse nature never night o'er Ozymandias pastoral pattern PERCY BYSSHE SHELLEY play pleasure poem poet poetic poetry reader rhyme rhythm rose round sense shadow Shakespeare ship sigh sing sleep song sonnets soul sound spirit stanza stars sweet symbol tears tell thee theme thine things thought tion tree verse voice W. H. AUDEN weep wind wings woods words young