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his making no demand on us for that higher degree of sensibility which we find to our regret that we do not possess, he effects a most perfect correspondence between his sentiments and ours, which causes us to recognize the perfect propriety of his conduct. The additional element which raises our feeling of mere approbation into one of admiration, is the wonder and surprise we feel at witnessing a degree of selfcommand far above that usually met with among mankind.

There are, however, several facts which modify our sense of the propriety or impropriety of another person's sentiments by their concord or disagreement with our own, and which it is important to notice.

First of all, it is only when the objects which excite any sentiment bear some direct relation to the person primarily affected by the sentiment or to ourselves as sympathetically affected by it, that any moral judgment of his sentiment arises on our part. For instance," the beauty of a plain, the greatness of a mountain, the ornaments of a building, the expression of a picture, the composition of a discourse, the conduct of a third person . . . all the general subjects of science and taste, are what we and our companions regard as having no peculiar relation to either of us." There is no occasion for sympathy, or for an imaginary change of situations, in order to produce, with regard to such things, the most perfect harmony of sentiments and affections. Where there is such harmony, we ascribe to a man good taste or judgment, but recognize no degree of moral propriety.

But it is otherwise with anything which more closely affects. us. A misfortune or injury to another is not regarded by him and by us from the same point of view as a poem or picture are, for the former cannot but more closely affect him. Hence a correspondence of feeling is much more difficult and much more important with regard to matters which nearly

concern him, than with regard to matters which concern neither him nor us, and are really indifferent to our actual interests. We can easily bear with difference of opinion in matters of speculation or taste; but we cease to be bearable to cne another, if he has no fellow-feeling for my misfortunes or my griefs; or if he feels either no indignation at my injuries or none that bears any proportion to my resentment of them.

This correspondence of feeling, then, being at the same time so difficult of attainment and yet so pleasurable when attained, two operations come into play: the effort on our part, as spectators, to enter into the sentiments and passions of the person principally concerned, and the effort on his part also to bring his sentiments into unison with ours. Whilst we strive to assume, in imagination, his situation, he strives to assume ours, and to bring down his emotions to that degree with which we as spectators can sympathize. Conscious as he is that our sympathy must naturally fall short of the violence of his own, and longing as he does for that relief which he can only derive from a complete sympathy of feeling, he seeks to obtain a more entire concord by lowering his passion to that pitch which he is sensible that we can assume. Does he feel resentment or jealousy, he will strive to tone it down to the point at which we can enter into it. And by thus being led to imagine how he himself would be affected, were he only a spectator of his own situation, he is brought to abate the violence of his original passion. So that in a sort of meetingpoint of sympathy lies the point of perfect propriety, as has been shown in the case of the propriety of fortitude.

On this twofold tendency of our moral nature two different sets of virtues are based. On our effort to sympathize with the passions and feelings of others are founded the gentler virtues of condescension, toleration, and humanity; whilst the sterner virtues of self-denial and self-command are founded on

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our effort to attune our passions to that pitch of which others can approve. In a union of these two kinds of virtues-in feeling much for others and little for ourselves, in restraining our selfish and indulging our benevolent affections-consists the highest perfection of which human nature is capable.

But how do we pass from a perception of the propriety of these good qualities to a perception of their virtue, for propriety and virtue mean different things? The answer is, that propriety of sentiment which, when displayed in the usual degree, meets with our approbation merely, calls for our admiration and becomes virtuous when it surprises us by an unusual manifestation of it. Admiration is "approbation, heightened by wonder and surprise." "Virtue is excellence, something uncommonly great and beautiful, which rises far above what is vulgar and ordinary." There is no virtue in the ordinary display of the moral qualities, just as in the ordinary degree of the intellectual qualities there are no abilities. For sensibility to be accounted humanity it must exceed what is possessed by the "rude vulgar of mankind;" and, in like manner, for selfcommand to amount to the virtue of fortitude, it must be much more than the weakest of mortals is capable of exerting.

There are, in fact, two different standards by which we often measure the degree of praise or blame due to any action, one consisting in the idea of complete propriety or perfection, in comparison with which all human action must ever appear blameable, and the other consisting in that approach to such perfection of which the majority of men are capable. Just in the same way as a work of art may appear very beautiful when judged by the standard of ordinary perfection, and appear full of faults when judged by the standard of absolute perfection, so a moral action or sentiment may frequently deserve applause that falls short of an ideal virtue.

It having thus been shown that the propriety of any sentiment lies-in a meeting-point between two different sympathies, or in a sort of compromise between two different aspects of the same passion, it is evident that such propriety must lie in a certain mediocrity or mean state between two extremes, or injust that amount of passion into which an impartial spectator can enter. That grief or resentment, for example, is proper which errs neither on the side of excess or of defect, which is neither too much nor too little. The impartial spectator, being unable either to enter into an excess of resentment or to sympathize with its deficiency, blames the one extreme by calling it " fury," and the other by calling it "want of spirit."

On this point it is noticeable that Adam Smith's theory of Propriety agrees, as he says himself, "pretty exactly" with Aristotle's definition of Virtue, as consisting in a mean or Meσóτns between two extremes of excess or defect. For instance, courage, according to Aristotle, lies in the mean state between the opposite vices of cowardice and rashness. Frugality is a similar avoidance of both avarice and prodigality, and magnanimity consists in avoiding the extremes of either arrogance or pusillanimity. And as also coincident in every respect with his own theory of Propriety, Adam Smith claims Plato's account of virtue given in the Republic, where it is shown to consist in that state of mind in which every faculty confines itself to its proper sphere without encroaching on that of any other, and performs its proper office with exactly that degree of strength which by nature belongs to it.

But it is obvious that the mean state or point of propriety must be different in different passions, lying nearer to the excess in some and nearer to the defect in others. And it will be found that the decency or indecency of giving expression to our passions varies exactly in proportion to the general disposition of mankind to sympathize with them.

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To illustrate the application of this principle, Adam Smith divides all human passions into five different classes. These are the Passions which take their origin from the body, those which take their origin from a particular turn of the imagination, the unsocial Passions, the social Passions, and the selfish Passions. And whatever doubts may be felt as to the truth of Adam Smith's general theory of the origin of moral approbation, there is no doubt of the interest which attaches to his account of the influence of our sympathies in conditioning the nature of our moral sentiments.

1. To begin with the passions which have their origin from the body. The bodily passions, such as hunger and thirst, being purely personal, fail to excite any general sympathy, and in proportion to the impossibility of such sympathy is the impropriety or indecency of any strong expression of them. The real origin of our dislike to such passions when we witness them in others, the real reason why any strong expressions of them are so disagreeable, is not the fact that such passions are those which we share in common with the brutes (for we also share with them natural affection and gratitude), but simply the fact that we cannot enter into them, that they are insufficient to command our sympathies.

With the passions which arise from the imagination it is otherwise than with passions which originate from the body. For instance, a disappointment in love or ambition calls forth. more sympathy than the greatest bodily evil, for our imagination lends itself more readily to sympathize with the misfortunes affecting the imaginations of others, than is possible in the case of the sufferings of their bodies. Our imagination moulds itself more easily upon the imagination of another than our bodily frame can be affected by what affects his. Thus we can readily sympathize with a man who has lost his fortune, for he only suffers in his imagination, not in his body;