A Vice for Voices: Reading Emily Dickinson's CorrespondenceUniversity of Massachusetts Press, 2001 - 280 стор. Despite her reputation as a reclusive poet, Emily Dickinson wrote more than one thousand letters to the world, engaging in lively epistolary conversations with close to one hundred correspondents. Although these letters have found many avid readers since they were first published in 1894, they have often been viewed as mere background materials or vehicles for the writer's poems. This study offers a reevaluation of their status within Dickinson's canon, arguing for correspondence (rather than poetry) as her central form of expression. Concentrating on Dickinson's exchanges with childhood friends, as well as with Susan Gilbert Dickinson, Elizabeth Holland, Austin Dickinson, Thomas Wentworth Higginson, and the mysterious Master, Marietta Messmer explores the poet's gradual shift from writing confessional letters to developing her unique vice for voices by creating fictionalized epistolary personae. While radically challenging nineteenth-century letter-writing conventions, these personae also subvert the narrowly circumscribed roles available to women at that time. Messmer shows how Dickinson used this double-voiced mode of correspondence to manipulate and interrogate a vari |
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Сторінка 33
... means of escape from the drudgery of huswifery " ( " Letter ' " 13 ) . As a means of escape from women's household chores , letters for Dickinson thus approach the realm of creative fiction , that is , literature . In addition , this ...
... means of escape from the drudgery of huswifery " ( " Letter ' " 13 ) . As a means of escape from women's household chores , letters for Dickinson thus approach the realm of creative fiction , that is , literature . In addition , this ...
Сторінка 117
... means speaking in a woman's voice " ( qtd . in Gilmore 10 ) . Dickinson uses two complementary strategies to signal to Higginson that for her , " being a woman " does not necessarily mean " speaking in a woman's voice " : she reduces ...
... means speaking in a woman's voice " ( qtd . in Gilmore 10 ) . Dickinson uses two complementary strategies to signal to Higginson that for her , " being a woman " does not necessarily mean " speaking in a woman's voice " : she reduces ...
Сторінка 151
... means of focusing the understanding of intellectual and literary influences affecting both the poetry and the poet " ( 145 ; my emphasis ) . 24 My own focus on Dickinson's active textual engagement with and modi- fication of her quoted ...
... means of focusing the understanding of intellectual and literary influences affecting both the poetry and the poet " ( 145 ; my emphasis ) . 24 My own focus on Dickinson's active textual engagement with and modi- fication of her quoted ...
Зміст
Contents | 1 |
Century Epistolary Conventions | 27 |
Editing Dickinsons | 49 |
Авторські права | |
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A Vice for Voices: Reading Emily Dickinson's Correspondence Marietta Messmer Попередній перегляд недоступний - 2010 |
Загальні терміни та фрази
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Посилання на книгу
Editing Emily Dickinson: The Production of an Author Lena Holm Christensen Попередній перегляд недоступний - 2008 |