A Vice for Voices: Reading Emily Dickinson's CorrespondenceUniversity of Massachusetts Press, 2001 - 280 стор. Despite her reputation as a reclusive poet, Emily Dickinson wrote more than one thousand letters to the world, engaging in lively epistolary conversations with close to one hundred correspondents. Although these letters have found many avid readers since they were first published in 1894, they have often been viewed as mere background materials or vehicles for the writer's poems. This study offers a reevaluation of their status within Dickinson's canon, arguing for correspondence (rather than poetry) as her central form of expression. Concentrating on Dickinson's exchanges with childhood friends, as well as with Susan Gilbert Dickinson, Elizabeth Holland, Austin Dickinson, Thomas Wentworth Higginson, and the mysterious Master, Marietta Messmer explores the poet's gradual shift from writing confessional letters to developing her unique vice for voices by creating fictionalized epistolary personae. While radically challenging nineteenth-century letter-writing conventions, these personae also subvert the narrowly circumscribed roles available to women at that time. Messmer shows how Dickinson used this double-voiced mode of correspondence to manipulate and interrogate a vari |
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Сторінка 17
... attempts " to keep in balance the per- sonal and the aesthetic perspective " ( " Poetics " 17 ) . Abandoning earlier di- chotomous interpretations , Salska thus best highlights the dialectical dy- namic between " life " and " art ...
... attempts " to keep in balance the per- sonal and the aesthetic perspective " ( " Poetics " 17 ) . Abandoning earlier di- chotomous interpretations , Salska thus best highlights the dialectical dy- namic between " life " and " art ...
Сторінка 88
... attempts to prevent both herself and her addressees from growing up and becoming " women . " In the following letter to Sue , Dickinson's desire to return to childhood assumes even greater urgency : " That you and I in hand as we e'en ...
... attempts to prevent both herself and her addressees from growing up and becoming " women . " In the following letter to Sue , Dickinson's desire to return to childhood assumes even greater urgency : " That you and I in hand as we e'en ...
Сторінка 121
... attempt to come before Higginson " as an author only , " in her very first letter Dickinson thus searched for a way to prevent a ... attempts to prevent any facile association between her self / her gender , and her epistolary forms of ...
... attempt to come before Higginson " as an author only , " in her very first letter Dickinson thus searched for a way to prevent a ... attempts to prevent any facile association between her self / her gender , and her epistolary forms of ...
Зміст
Contents | 1 |
Century Epistolary Conventions | 27 |
Editing Dickinsons | 49 |
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A Vice for Voices: Reading Emily Dickinson's Correspondence Marietta Messmer Попередній перегляд недоступний - 2010 |
Загальні терміни та фрази
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Посилання на книгу
Editing Emily Dickinson: The Production of an Author Lena Holm Christensen Попередній перегляд недоступний - 2008 |