A Vice for Voices: Reading Emily Dickinson's CorrespondenceUniversity of Massachusetts Press, 2001 - 280 стор. Despite her reputation as a reclusive poet, Emily Dickinson wrote more than one thousand letters to the world, engaging in lively epistolary conversations with close to one hundred correspondents. Although these letters have found many avid readers since they were first published in 1894, they have often been viewed as mere background materials or vehicles for the writer's poems. This study offers a reevaluation of their status within Dickinson's canon, arguing for correspondence (rather than poetry) as her central form of expression. Concentrating on Dickinson's exchanges with childhood friends, as well as with Susan Gilbert Dickinson, Elizabeth Holland, Austin Dickinson, Thomas Wentworth Higginson, and the mysterious Master, Marietta Messmer explores the poet's gradual shift from writing confessional letters to developing her unique vice for voices by creating fictionalized epistolary personae. While radically challenging nineteenth-century letter-writing conventions, these personae also subvert the narrowly circumscribed roles available to women at that time. Messmer shows how Dickinson used this double-voiced mode of correspondence to manipulate and interrogate a vari |
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Сторінка 2
... according to the audience to whom they were addressed , Hart and Smith challenge our familiar notion of Dickinson " the poet " by displaying an array of letters , poems , and letter - poems resisting easy generic classification . Yet ...
... according to the audience to whom they were addressed , Hart and Smith challenge our familiar notion of Dickinson " the poet " by displaying an array of letters , poems , and letter - poems resisting easy generic classification . Yet ...
Сторінка 15
... according to contemporaneous modes of painting and iconography . Sug- gesting that in Dickinson's poems life and art thus come together , Farr analyzes how the poet acts out artistic and aesthetic modes of her time ( modeled , in ...
... according to contemporaneous modes of painting and iconography . Sug- gesting that in Dickinson's poems life and art thus come together , Farr analyzes how the poet acts out artistic and aesthetic modes of her time ( modeled , in ...
Сторінка 57
... according to ( possibly artificial ) generic groups , but according to the audience for whom they were composed . Although Hart and Smith's as well as Werner's editions thus translate into practice many of the revisionist editorial ...
... according to ( possibly artificial ) generic groups , but according to the audience for whom they were composed . Although Hart and Smith's as well as Werner's editions thus translate into practice many of the revisionist editorial ...
Зміст
Contents | 1 |
Century Epistolary Conventions | 27 |
Editing Dickinsons | 49 |
Авторські права | |
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A Vice for Voices: Reading Emily Dickinson's Correspondence Marietta Messmer Попередній перегляд недоступний - 2010 |
Загальні терміни та фрази
according addition addressed Amherst argues aspects attempts Austin becomes Book breaks brother called challenge changes complete constitutes constructed context continues copy correspondence critical death dialogic Dickin Dickinson's letters direct discourse earlier edition editorial effect Emily Dickinson emphasizes epistolary example explains expression fact fascicles female fictional finally Franklin frequently friendship function gendered genre Gilbert hand Hart heart Higginson highlight Holland identified interpreted Johnson language literary maintain male manuscript marks Martha means monologic never nineteenth-century observation Open particular passage play poems poet poetic poetry positions possible prose publication published question quotations quoted readers refers regards relations relationship respective role sense Smith social son's speaking specific strategies style suggests tell texts textual thought tion traditional turn ultimately voices woman women writing written
Посилання на книгу
Editing Emily Dickinson: The Production of an Author Lena Holm Christensen Попередній перегляд недоступний - 2008 |