The Critical Reception of Shakespeare's Antony and Cleopatra from 1607 to 1905

action admiration aesthetic Antony and Cleopatra Antony's appears approach beauty becomes believes Bradley calls century char character characterization Cleo Coleridge conception concern contrast critics death described Dichter discussion drama dramatic edition effect elements English essay fact fascination feels finds follows Gervinus gives hero historical human imagination interest John Johnson Julius Caesar lack later less London lovers Mark Antony mind moral nature noble Notes Octavius opinion original passion period play play's pleasure Plutarch poet poetic poetry political presented principle psychological queen reader regards relation remarks represented romantic scene Schlegel seems sense sensual Shake Shakespeare Shakspere shows speare speare's spirit stage statements structure sympathy takes theme thought tion tony tragedy tragic true unity Univ whole woman York