Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 35
... speak- er's reaching into the past for examples to extend to Licio in the present as a warning against a possible future . At the same time the verbs progress from past to present to future , underscoring the argument of the poem . As ...
... speak- er's reaching into the past for examples to extend to Licio in the present as a warning against a possible future . At the same time the verbs progress from past to present to future , underscoring the argument of the poem . As ...
Сторінка 36
... speak of time used structurally and nonstructurally . [ Movement toward the future , either full or incomplete , is perhaps the commonest movement to be found in the Baroque lyric . It had been common also in previous ages ( see ...
... speak of time used structurally and nonstructurally . [ Movement toward the future , either full or incomplete , is perhaps the commonest movement to be found in the Baroque lyric . It had been common also in previous ages ( see ...
Сторінка 111
... speak of evolution in the rhetorical situation . Nor is the speaker's change evolved , for he too changes his identity from poet - performer to isolated Christian : Quand mon heure viendra , Deesse , je te pris , Ne me laisse long temps ...
... speak of evolution in the rhetorical situation . Nor is the speaker's change evolved , for he too changes his identity from poet - performer to isolated Christian : Quand mon heure viendra , Deesse , je te pris , Ne me laisse long temps ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole