Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 44
... serves , in at least two ways , to strengthen it . First of all , the two references , to the " extreme " past and to an " extreme " hypothetical future , encircle the dynamic iden- tification by bounding it . Secondly , there is almost ...
... serves , in at least two ways , to strengthen it . First of all , the two references , to the " extreme " past and to an " extreme " hypothetical future , encircle the dynamic iden- tification by bounding it . Secondly , there is almost ...
Сторінка 114
... serves its function in emphasizing the re- lationship between speaker and reader as observers . In this first part of the poem there is no second - person audience . The main concern is to characterize the forest . It is dark and silent ...
... serves its function in emphasizing the re- lationship between speaker and reader as observers . In this first part of the poem there is no second - person audience . The main concern is to characterize the forest . It is dark and silent ...
Сторінка 143
... serves the poet's purpose to conceal as much as possible . Peter does not even mention Christian salvation , though ordinarily one would expect him , chief of Christ's Disciples , to do so . In fact , the concealment is so successful ...
... serves the poet's purpose to conceal as much as possible . Peter does not even mention Christian salvation , though ordinarily one would expect him , chief of Christ's Disciples , to do so . In fact , the concealment is so successful ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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Загальні терміни та фрази
achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole