Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 23
... sense time scheme . At any rate we are not aware that they do violence to our ordinary conception of the way things take place . None of the tem- poral implications of the poem , we find , differs very much from the temporal ...
... sense time scheme . At any rate we are not aware that they do violence to our ordinary conception of the way things take place . None of the tem- poral implications of the poem , we find , differs very much from the temporal ...
Сторінка 140
Lowry Nelson. veloped from a sense of sad duty to a sense of the degree of his loss measured in terms of past joy . When the speaker turns to address Lycidas directly for the first time , his attitude veers , naturally enough , to ...
Lowry Nelson. veloped from a sense of sad duty to a sense of the degree of his loss measured in terms of past joy . When the speaker turns to address Lycidas directly for the first time , his attitude veers , naturally enough , to ...
Сторінка 148
... sense they constitute a public as the Nymphs did not . In two ways , then , the Shepherds are climactic : as personal mourners and as a public . But no sooner are they mentioned than they are told not to weep , that the cause of the ...
... sense they constitute a public as the Nymphs did not . In two ways , then , the Shepherds are climactic : as personal mourners and as a public . But no sooner are they mentioned than they are told not to weep , that the cause of the ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole