Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 68
... seen , there has been a gradual progression from the remote past to the present ; and with each stage the sharp- ness of grief for Lycidas ' death has been intensified . The new- est stage begins with the flower passage ; but that ...
... seen , there has been a gradual progression from the remote past to the present ; and with each stage the sharp- ness of grief for Lycidas ' death has been intensified . The new- est stage begins with the flower passage ; but that ...
Сторінка 80
... seen how a progressive or a past indefinite tense or a parti- ciple or a subordinate clause supported a transition from one main tense to another in such fashion as to avoid a flat contradiction . In larger terms , the tendency can be ...
... seen how a progressive or a past indefinite tense or a parti- ciple or a subordinate clause supported a transition from one main tense to another in such fashion as to avoid a flat contradiction . In larger terms , the tendency can be ...
Сторінка 175
... seen in glittering ranks with wings display'd , Harping in loud and solemn quire , With unexpressive notes to Heav'n's new - born Heir . Such Music ( as ' tis said ) Before was never made , 12 But when of old the sons of morning sung ...
... seen in glittering ranks with wings display'd , Harping in loud and solemn quire , With unexpressive notes to Heav'n's new - born Heir . Such Music ( as ' tis said ) Before was never made , 12 But when of old the sons of morning sung ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole