Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 15
... relation to reality , which any al literary criticism that aspires to completeness must eventually face : it is of course finally impossible to isolate elements of it style from the world - view of a poem . But the first step in WE any ...
... relation to reality , which any al literary criticism that aspires to completeness must eventually face : it is of course finally impossible to isolate elements of it style from the world - view of a poem . But the first step in WE any ...
Сторінка 91
... relationship between speaker and audience is set forth essen- tially in the first main clause , and the rest of the ... relation- ship modified through refinement or complication . [ In Donne's poem the attitude of the speaker toward ...
... relationship between speaker and audience is set forth essen- tially in the first main clause , and the rest of the ... relation- ship modified through refinement or complication . [ In Donne's poem the attitude of the speaker toward ...
Сторінка 93
... relationship between speaker and reader - that is , a relationship more complex and particular than the relationship suggested by the words not as question but as assertion . Exclamations may be considered in the same light , for both ...
... relationship between speaker and reader - that is , a relationship more complex and particular than the relationship suggested by the words not as question but as assertion . Exclamations may be considered in the same light , for both ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole