Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 36
... reference to a past event ( " ¿ Confiésalo Cartago ? " ) . Thereupon a warning in the present ( " Peligro corres , Licio , si porfías " ) points to the future , which is finally established in " Mal te perdonarán a ti las horas ...
... reference to a past event ( " ¿ Confiésalo Cartago ? " ) . Thereupon a warning in the present ( " Peligro corres , Licio , si porfías " ) points to the future , which is finally established in " Mal te perdonarán a ti las horas ...
Сторінка 46
... reference goes back to Moses receiving the Ten Commandments ; and in the direction of the future the reference goes forward to Judgment Day , " When . . . / The dreadful Judge in middle Air shall spread his throne . ” With stanza 18 we ...
... reference goes back to Moses receiving the Ten Commandments ; and in the direction of the future the reference goes forward to Judgment Day , " When . . . / The dreadful Judge in middle Air shall spread his throne . ” With stanza 18 we ...
Сторінка 66
... reference to the actual event of Lycidas ' death , which occurs in the lines addressed to the nymphs : Where were ye Nymphs when the remorseless deep Clos'd o'er the head of your lov'd Lycidas ? Because the time when Lycidas was drowned ...
... reference to the actual event of Lycidas ' death , which occurs in the lines addressed to the nymphs : Where were ye Nymphs when the remorseless deep Clos'd o'er the head of your lov'd Lycidas ? Because the time when Lycidas was drowned ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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Загальні терміни та фрази
achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole