Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 43
... present . And again the change is brought about gradually , this time by means of a present participial clause and a rel- ative clause in the present perfect tense . In fact , the reader is almost imperceptibly swung into the present ...
... present . And again the change is brought about gradually , this time by means of a present participial clause and a rel- ative clause in the present perfect tense . In fact , the reader is almost imperceptibly swung into the present ...
Сторінка 57
... present . It is only in stanza 4 that it changes , quite suddenly , into the past indefinite . Polyphemus ' size is ... present tense : pellico es ya la que en los bosques era mortal horror , al que con paso lento los bueyes a su ...
... present . It is only in stanza 4 that it changes , quite suddenly , into the past indefinite . Polyphemus ' size is ... present tense : pellico es ya la que en los bosques era mortal horror , al que con paso lento los bueyes a su ...
Сторінка 59
... present , point- ing up the immediacy of the situation . Thus the passage of slow alternation between past and present ( from 36.5 through 42 ) ends , and we go into the third and longest of the three long passages in the present which ...
... present , point- ing up the immediacy of the situation . Thus the passage of slow alternation between past and present ( from 36.5 through 42 ) ends , and we go into the third and longest of the three long passages in the present which ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole