Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 102
... poets and German secular poets of the time . The greater emphasis is still on style and not separable content . But the two tend- encies , devotional in German and secular in Italian poetry , are the dominant ones in their respective ...
... poets and German secular poets of the time . The greater emphasis is still on style and not separable content . But the two tend- encies , devotional in German and secular in Italian poetry , are the dominant ones in their respective ...
Сторінка 103
... poets , which is often taken from sensual and transient objects , or the elaborate conventional artifice of the Italian poets . But it is possible that in the end we could say that the two attitudes toward the world had much in common ...
... poets , which is often taken from sensual and transient objects , or the elaborate conventional artifice of the Italian poets . But it is possible that in the end we could say that the two attitudes toward the world had much in common ...
Сторінка 109
... poets of the time were verging but which they never attained . In the German poets , as well as in Marino , we have noted a remarkable tendency toward what has been called dramaticality : the use of particular rhetorical devices to ...
... poets of the time were verging but which they never attained . In the German poets , as well as in Marino , we have noted a remarkable tendency toward what has been called dramaticality : the use of particular rhetorical devices to ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole