Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
З цієї книги
Результати 1-3 із 95
Сторінка 15
... poem . But the first step in WE any analysis is to understand the poem in itself , as far as that is possible ; then one is in a position to relate it to reality te and to other poems , other tendencies , and other styles . The a ...
... poem . But the first step in WE any analysis is to understand the poem in itself , as far as that is possible ; then one is in a position to relate it to reality te and to other poems , other tendencies , and other styles . The a ...
Сторінка 56
... poem should become clear : the peculiar tense structure , the almost hallu- cinatory presentation of action , in short , the whole time orientation of the poem . " At the beginning there are three stanzas dedicating the poem to the ...
... poem should become clear : the peculiar tense structure , the almost hallu- cinatory presentation of action , in short , the whole time orientation of the poem . " At the beginning there are three stanzas dedicating the poem to the ...
Сторінка 72
... poem . Throughout the poem we are not allowed to lose sight of the speaker's pres- ent ( 1 ) ; in fact , certain otherwise jarring changes in tense could be well explained as reassertions of this , the primary time plane . It forms a ...
... poem . Throughout the poem we are not allowed to lose sight of the speaker's pres- ent ( 1 ) ; in fact , certain otherwise jarring changes in tense could be well explained as reassertions of this , the primary time plane . It forms a ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
Авторські права | |
7 інших розділів не відображаються
Інші видання - Показати все
Загальні терміни та фрази
achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole