Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 56
... performance , particularly by the statements “ Estas . . . rimas . . . escu- cha " and " en cuanto . . . escuchas . . . del músico jayán el fiero canto . " Seen under the aspect of time , the Dedication shows an interesting form . It ...
... performance , particularly by the statements “ Estas . . . rimas . . . escu- cha " and " en cuanto . . . escuchas . . . del músico jayán el fiero canto . " Seen under the aspect of time , the Dedication shows an interesting form . It ...
Сторінка 66
... performance of the poem , was in reality first asked in the less remote past , presumably just after the death of Lycidas . In a very telescoped way , therefore , we are again made aware of the contrast between the speaker's time and ...
... performance of the poem , was in reality first asked in the less remote past , presumably just after the death of Lycidas . In a very telescoped way , therefore , we are again made aware of the contrast between the speaker's time and ...
Сторінка 73
... performance , and re- assert the character of the speaker . The space required for working out the poem as perform- ance and for evolving the time scheme is a major source of tension ; for it allows the detailed elaboration of the ...
... performance , and re- assert the character of the speaker . The space required for working out the poem as perform- ance and for evolving the time scheme is a major source of tension ; for it allows the detailed elaboration of the ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole