Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
З цієї книги
Результати 1-3 із 30
Сторінка 58
... passage of six stanzas in which there is an easy oscillation between present and past ( 24 through 29 ) . The sense of the passage oscillates too , for in it Galatea is awakened by the sound of Acis splashing water . She is about to ...
... passage of six stanzas in which there is an easy oscillation between present and past ( 24 through 29 ) . The sense of the passage oscillates too , for in it Galatea is awakened by the sound of Acis splashing water . She is about to ...
Сторінка 62
... passage , the narrative emerged , with the meeting of Acis and Galatea , again into a long passage of somewhat more than six stanzas in the present tense . Next came the lovers ' dalliance in oscillating tenses . And we were led to the ...
... passage , the narrative emerged , with the meeting of Acis and Galatea , again into a long passage of somewhat more than six stanzas in the present tense . Next came the lovers ' dalliance in oscillating tenses . And we were led to the ...
Сторінка 68
... passage . It leads directly into : Return Alpheus , the dread voice is past , That shrunk thy streams ; Return Sicilian Muse , And call the Vales , and bid them hither cast Their Bells and Flowrets of a thousand hues . Thus the flower ...
... passage . It leads directly into : Return Alpheus , the dread voice is past , That shrunk thy streams ; Return Sicilian Muse , And call the Vales , and bid them hither cast Their Bells and Flowrets of a thousand hues . Thus the flower ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
Авторські права | |
7 інших розділів не відображаються
Інші видання - Показати все
Загальні терміни та фрази
achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole