Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 37
... move from the past toward the future . For the sake of clarity we may look at one of Vaughan's simpler poems , " The Law , and the Gospel . " Rhetorically the poem is a monologue addressed to God . The speaker begins remotely in terms ...
... move from the past toward the future . For the sake of clarity we may look at one of Vaughan's simpler poems , " The Law , and the Gospel . " Rhetorically the poem is a monologue addressed to God . The speaker begins remotely in terms ...
Сторінка 175
... Move in melodious time ; And let the Bass of Heav'n's deep Organ blow ; And with your ninefold harmony Make up full consort to th'Angelic symphony . For if such holy Song Enwrap our fancy long , 14 Time will run back , and fetch the age ...
... Move in melodious time ; And let the Bass of Heav'n's deep Organ blow ; And with your ninefold harmony Make up full consort to th'Angelic symphony . For if such holy Song Enwrap our fancy long , 14 Time will run back , and fetch the age ...
Сторінка 237
... this to th'comfort of my Dear I vow , My Deeds shall still be what my words are now ; The Poles shall move to teach me ere I start ; 90 And when I change my Love , I'll change my " ELEGIE XII : HIS PARTING FROM HER " 237.
... this to th'comfort of my Dear I vow , My Deeds shall still be what my words are now ; The Poles shall move to teach me ere I start ; 90 And when I change my Love , I'll change my " ELEGIE XII : HIS PARTING FROM HER " 237.
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole