Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 29
... instance , on theme and metaphor in the Baroque lyric I shall either bypass or take for granted in order to concentrate on neglected elements . Turning our attention exclusively to time , we encounter an elementary distinction which ...
... instance , on theme and metaphor in the Baroque lyric I shall either bypass or take for granted in order to concentrate on neglected elements . Turning our attention exclusively to time , we encounter an elementary distinction which ...
Сторінка 30
... instance , verbs morpholog- ically in the present tense may in context take on a future meaning . Future forms of ... instances . The effect achieved by passages in 30 TIME AS A MEANS OF STRUCTURE.
... instance , verbs morpholog- ically in the present tense may in context take on a future meaning . Future forms of ... instances . The effect achieved by passages in 30 TIME AS A MEANS OF STRUCTURE.
Сторінка 157
... instances . Gryphius ' " Der Tod " implies the choice between attachment to worldly things and preparation for death ... instance the initial attitude of the speaker is an alter- native to the final attitude ; and the first is subsumed ...
... instances . Gryphius ' " Der Tod " implies the choice between attachment to worldly things and preparation for death ... instance the initial attitude of the speaker is an alter- native to the final attitude ; and the first is subsumed ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole