Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 36
... future , which is finally established in " Mal te perdonarán a ti las horas . " Góngora's sonnet , in contrast to Petrarch's , moves according to a discernible time pattern . We are therefore able to say at once that a com- parison of ...
... future , which is finally established in " Mal te perdonarán a ti las horas . " Góngora's sonnet , in contrast to Petrarch's , moves according to a discernible time pattern . We are therefore able to say at once that a com- parison of ...
Сторінка 37
... future . For the sake of clarity we may look at one of Vaughan's simpler poems , " The Law , and the Gospel . " Rhetorically the poem is a monologue addressed to God . The speaker begins remotely in terms of " they " ( the Jews ) , then ...
... future . For the sake of clarity we may look at one of Vaughan's simpler poems , " The Law , and the Gospel . " Rhetorically the poem is a monologue addressed to God . The speaker begins remotely in terms of " they " ( the Jews ) , then ...
Сторінка 46
... future , and that in terms of a relative clause . In contrast , the main movement of the sentence goes on to a far more distant future , referring to the Day of Judgment . The two " extremes " we observed in stanzas 12 to 15 , Creation ...
... future , and that in terms of a relative clause . In contrast , the main movement of the sentence goes on to a far more distant future , referring to the Day of Judgment . The two " extremes " we observed in stanzas 12 to 15 , Creation ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole