Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 66
... death of Lycidas . In a very telescoped way , therefore , we are again made aware of the contrast between the speaker's time and the time of Lycidas ' death . It is a complex way of serving the exigencies of performance and structure at ...
... death of Lycidas . In a very telescoped way , therefore , we are again made aware of the contrast between the speaker's time and the time of Lycidas ' death . It is a complex way of serving the exigencies of performance and structure at ...
Сторінка 68
... death . With Peter , the last of the three , direct concern over the actual death changes into a general lesson , a cause for universal mourn- ing . His reported speech , cast in direct discourse and in the present tense , facilitates ...
... death . With Peter , the last of the three , direct concern over the actual death changes into a general lesson , a cause for universal mourn- ing . His reported speech , cast in direct discourse and in the present tense , facilitates ...
Сторінка 101
... death has become inevitable ; in retrospect it stresses the moment of death . In fact , both the backward reference and the forward reference in “ Nach dem der strenge printz sein ernstes urtheil hegt " converge upon the one intense ...
... death has become inevitable ; in retrospect it stresses the moment of death . In fact , both the backward reference and the forward reference in “ Nach dem der strenge printz sein ernstes urtheil hegt " converge upon the one intense ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole