Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 114
... course , is limited if only one means is employed . An additional means is at least hinted at in the second stanza : " Et nous chante une serenade . " One way of defining a relationship is to name it , and here the speaker refers to a ...
... course , is limited if only one means is employed . An additional means is at least hinted at in the second stanza : " Et nous chante une serenade . " One way of defining a relationship is to name it , and here the speaker refers to a ...
Сторінка 126
... course , just to see that it can discover in the real world nothing the lovers do not contain . And while the sun is running his useless course witnesses will watch the lovers and will be able to report that everything the sun saw took ...
... course , just to see that it can discover in the real world nothing the lovers do not contain . And while the sun is running his useless course witnesses will watch the lovers and will be able to report that everything the sun saw took ...
Сторінка 162
... course , existed in reality long before they were repre- sented in imaginative literature . If we should posit a tradi- tion whose exemplars are Catullus , Petrarch , and Ronsard , we could perhaps infer a developing ability to express ...
... course , existed in reality long before they were repre- sented in imaginative literature . If we should posit a tradi- tion whose exemplars are Catullus , Petrarch , and Ronsard , we could perhaps infer a developing ability to express ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole