Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 43
... continues in stanza 5 , the tense shifts again into the present . And again the change is brought about gradually , this time by means of a present participial clause and a rel- ative clause in the present perfect tense . In fact , the ...
... continues in stanza 5 , the tense shifts again into the present . And again the change is brought about gradually , this time by means of a present participial clause and a rel- ative clause in the present perfect tense . In fact , the ...
Сторінка 57
... continues in slow alternation between past and › present ( stanzas 4 to 9 ) . Even in some of the passages in the present tense the past is asserted faintly in a dependent clause ; see stanza 7 , line 6 , and stanza 8 , line 6.8 In ...
... continues in slow alternation between past and › present ( stanzas 4 to 9 ) . Even in some of the passages in the present tense the past is asserted faintly in a dependent clause ; see stanza 7 , line 6 , and stanza 8 , line 6.8 In ...
Сторінка 59
... continues to tell of Galatea's fear , but it has gone into the present , point- ing up the immediacy of the situation . Thus the passage of slow alternation between past and present ( from 36.5 through 42 ) ends , and we go into the ...
... continues to tell of Galatea's fear , but it has gone into the present , point- ing up the immediacy of the situation . Thus the passage of slow alternation between past and present ( from 36.5 through 42 ) ends , and we go into the ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole