Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 73
... characterization and peculiar function were cited in the analysis , and their close relation to the time scheme was shown . It remains to stress once again the force- ful manner in which the last eight lines complete the im- pression of ...
... characterization and peculiar function were cited in the analysis , and their close relation to the time scheme was shown . It remains to stress once again the force- ful manner in which the last eight lines complete the im- pression of ...
Сторінка 83
... characterization of Baroque style as a whole . To do so it is necessary first to assume that Baroque style as a whole does exist , and then to prove the assumption . The proof would consist in establishing chronologically the novelty ...
... characterization of Baroque style as a whole . To do so it is necessary first to assume that Baroque style as a whole does exist , and then to prove the assumption . The proof would consist in establishing chronologically the novelty ...
Сторінка 136
... characterization of the speaker , does evolve . Its stable paradox is the speaker's rationalization , which does not stand by itself but rather serves to charac- terize the speaker . It would be worth while to consider the four poems of ...
... characterization of the speaker , does evolve . Its stable paradox is the speaker's rationalization , which does not stand by itself but rather serves to charac- terize the speaker . It would be worth while to consider the four poems of ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole