Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 74
... body ; not only has he died , but he has also suffered the horrible fate , in pagan terms , of having died in the ocean where his body and ( by temporary pagan implication ) his spirit can find no rest ( lines 12-14 ) : He must not ...
... body ; not only has he died , but he has also suffered the horrible fate , in pagan terms , of having died in the ocean where his body and ( by temporary pagan implication ) his spirit can find no rest ( lines 12-14 ) : He must not ...
Сторінка 75
... body sinks but the spirit rises ? Is the poem not merely switching from a pagan to a Christian conception of death ? Certainly we would have to admit that the central paradox , extracted from the poem , states a platitude . Yet it is ...
... body sinks but the spirit rises ? Is the poem not merely switching from a pagan to a Christian conception of death ? Certainly we would have to admit that the central paradox , extracted from the poem , states a platitude . Yet it is ...
Сторінка 145
... body retains a kind of shadow identity : he is " visiting " or " sleeping . " And yet it is obviously just the speaker's imag- ination that endows the body with any animation . To some extent it is a version of the pagan notion that the ...
... body retains a kind of shadow identity : he is " visiting " or " sleeping . " And yet it is obviously just the speaker's imag- ination that endows the body with any animation . To some extent it is a version of the pagan notion that the ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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Загальні терміни та фрази
achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole