Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 88
... audience and subject mat- ter are collapsed together . Perhaps more convincingly , it may be said that Ulysses and the Siren become the audience alternately ; when one is the audience the other is the speaker . Although such arguments ...
... audience and subject mat- ter are collapsed together . Perhaps more convincingly , it may be said that Ulysses and the Siren become the audience alternately ; when one is the audience the other is the speaker . Although such arguments ...
Сторінка 89
... audience is indistinguishable from the sub- ject matter or that the audience and the reader are identified . In terms of the total rhetorical situation , there is an impor- tant and obvious similarity between second - person and third ...
... audience is indistinguishable from the sub- ject matter or that the audience and the reader are identified . In terms of the total rhetorical situation , there is an impor- tant and obvious similarity between second - person and third ...
Сторінка 112
... audience is Ippolito Pindemonte , to whom the discourse , as epistle , is directed . But in the last third of the poem ( be- ginning with line 213 ) the speaker expands his role , without changing it , by speaking first in the person of ...
... audience is Ippolito Pindemonte , to whom the discourse , as epistle , is directed . But in the last third of the poem ( be- ginning with line 213 ) the speaker expands his role , without changing it , by speaking first in the person of ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole