Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 51
... aspect of eternity , as static and all moments as equally present . Time , therefore , could be considered contingent and to some extent manipulatable within the closed Chris- tian system . We need not think that time was in any way ...
... aspect of eternity , as static and all moments as equally present . Time , therefore , could be considered contingent and to some extent manipulatable within the closed Chris- tian system . We need not think that time was in any way ...
Сторінка 80
... aspect . Let us carry the development a step further : If all events may be considered simultaneous , " finite time " need not be strictly observed according to our empirically chronological habit . A poet could therefore seize upon ...
... aspect . Let us carry the development a step further : If all events may be considered simultaneous , " finite time " need not be strictly observed according to our empirically chronological habit . A poet could therefore seize upon ...
Сторінка 89
... aspects of the I reader's task . What matters most in criticizing individual , poems is the particular role of the reader ; in practice , then , it is a convenience to restrict the concept of reader to that aspect alone . S We must ...
... aspects of the I reader's task . What matters most in criticizing individual , poems is the particular role of the reader ; in practice , then , it is a convenience to restrict the concept of reader to that aspect alone . S We must ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole