Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 110
... addressed to a particular person or composed for a particular event . The tone is often conversational , even casual . Ronsard's “ Hymne de la mort , " for example , is written as a sort of epistle to the historian Pierre Paschal . From ...
... addressed to a particular person or composed for a particular event . The tone is often conversational , even casual . Ronsard's “ Hymne de la mort , " for example , is written as a sort of epistle to the historian Pierre Paschal . From ...
Сторінка 132
... address his last audience , the Beloved , he is secure enough in his new attitude to join her in spurning two previous au ... addressed but talked about , and either praised or blamed . In other words , the speaker has not only a second ...
... address his last audience , the Beloved , he is secure enough in his new attitude to join her in spurning two previous au ... addressed but talked about , and either praised or blamed . In other words , the speaker has not only a second ...
Сторінка 135
... addressed throughout the poem . In the process the original paradox , the lover wishing to be cured and yet not lose his love , gives way to a stabler paradox , the lover insisting on the truth of his tears and yet complaining that his ...
... addressed throughout the poem . In the process the original paradox , the lover wishing to be cured and yet not lose his love , gives way to a stabler paradox , the lover insisting on the truth of his tears and yet complaining that his ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole