Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 24
... actually made to depend upon the speaker's attitude . In the same spirit of exaggeration Honoré d'Urfé ( 1568-1625 ) writes of " moments paresseux . " He carries out the conceit as far as possible : Moments , vous êtes jours , jours ...
... actually made to depend upon the speaker's attitude . In the same spirit of exaggeration Honoré d'Urfé ( 1568-1625 ) writes of " moments paresseux . " He carries out the conceit as far as possible : Moments , vous êtes jours , jours ...
Сторінка 25
... actually describe the mystical experience . It is more accurate to say that some poems go about trying to conquer time , or that so - called mystical poems lead up to the experience itself for which there can be no adequate objective ...
... actually describe the mystical experience . It is more accurate to say that some poems go about trying to conquer time , or that so - called mystical poems lead up to the experience itself for which there can be no adequate objective ...
Сторінка 95
... actually happened . To that extent the cosmos is particularized . Variations of the simple formula weight the choice one way or the other : ... de sitio mejorada , atenta mira , en la disposición robusta , aquello que , si por lo suave ...
... actually happened . To that extent the cosmos is particularized . Variations of the simple formula weight the choice one way or the other : ... de sitio mejorada , atenta mira , en la disposición robusta , aquello que , si por lo suave ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole