Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Сторінка 61
... achieved partly through the alternation of tenses and partly through the mode of presenting action . We have observed the way in which alternation of tenses cuts the reader adrift from any common - sense orientation in time ; the kind ...
... achieved partly through the alternation of tenses and partly through the mode of presenting action . We have observed the way in which alternation of tenses cuts the reader adrift from any common - sense orientation in time ; the kind ...
Сторінка 78
... achieved through a kind of stalemate . [ In " Lycidas " the time pattern is still more involved . There is a main time plane in the present tense , toward which the lesser time planes , in the course of the poem , move gradually from ...
... achieved through a kind of stalemate . [ In " Lycidas " the time pattern is still more involved . There is a main time plane in the present tense , toward which the lesser time planes , in the course of the poem , move gradually from ...
Сторінка 99
... achieving them poetically . Much , therefore , of Ger- man Baroque poetry still belongs in the medieval Latin ... achieved . There are signs also of an awareness that the rhetorical situation can be varied and intensified , that ...
... achieving them poetically . Much , therefore , of Ger- man Baroque poetry still belongs in the medieval Latin ... achieved . There are signs also of an awareness that the rhetorical situation can be varied and intensified , that ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole