Baroque Lyric PoetryYale University Press, 1961 - 244 стор. |
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Результати 1-3 із 42
Сторінка 65
... Lycidas " cannot necessarily presup- pose a time perspective but must set out to construct one . In fact , it is just this process of discovering the time perspec- tive which gives " Lycidas " its characteristic movement and structure ...
... Lycidas " cannot necessarily presup- pose a time perspective but must set out to construct one . In fact , it is just this process of discovering the time perspec- tive which gives " Lycidas " its characteristic movement and structure ...
Сторінка 140
... Lycidas is expressed in terms of Nature , as having the effect of canker , taint - worm , or frost . Thus the poem makes a transition to the third audience ( not counting the reader or Lycidas ) , which is the benign pres- ences of ...
... Lycidas is expressed in terms of Nature , as having the effect of canker , taint - worm , or frost . Thus the poem makes a transition to the third audience ( not counting the reader or Lycidas ) , which is the benign pres- ences of ...
Сторінка 149
... Lycidas as " saint " in heaven and " genius " on the shore . As the speaker explains the fullness of Lycidas ' sainthood to the Shepherds , urging them as those most directly concerned ( poets and clerics ) to mourn no longer , he ...
... Lycidas as " saint " in heaven and " genius " on the shore . As the speaker explains the fullness of Lycidas ' sainthood to the Shepherds , urging them as those most directly concerned ( poets and clerics ) to mourn no longer , he ...
Зміст
The Uses of Time in Poetry | 21 |
A Survey of Time Patterns | 37 |
Miltons Nativity Ode | 45 |
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Загальні терміни та фрази
achieved action actually addressed alternation aspect attempt attitude audience awareness Baroque become beginning body called characterization Christian complex concerned consider continues contrast course death defining described devices direct Donne effect elements evolution evolved example exist fact finally follow future Galatea gradual historical important instance Italy kind least less lines literary literature look lovers Lycidas lyric Marino means Milton move movement nature never pagan paradox particular passage past performance perhaps period person planes poem poetic poetry poets Polifemo possible present tense questions reader reference relation relationship remains Renaissance rhetorical situation seems seen sense serves simple speak speaker speaker's attitude stanza structure style suggest thou thought tion tradition true universal usual whole