The English Reader; Or, Pieces in Prose and Poetry, Selected from the Best Writers ...: With a Few Preliminary Observations on the Principles of Good ReadingM'Carty & Davis, 1826 - 316 стор. |
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Сторінка xi
... sound , with the key or note on which we speak . There is a variety of sound , within the compass of each key . A speaker may therefore render his voice louder , without altering the key : and we shall always be able to give most body ...
... sound , with the key or note on which we speak . There is a variety of sound , within the compass of each key . A speaker may therefore render his voice louder , without altering the key : and we shall always be able to give most body ...
Сторінка xii
... sound ; but always pitch it on our ordinary speaking key . It should be a con- stant rule , never to utter a greater quantity of voice , than we can afford without pain to ourselves , and with out any extraordinary effort . As long as ...
... sound ; but always pitch it on our ordinary speaking key . It should be a con- stant rule , never to utter a greater quantity of voice , than we can afford without pain to ourselves , and with out any extraordinary effort . As long as ...
Сторінка xiii
... sound . The quantity of sound necessary to fill even a large space , is smaller than is commonly imagined ; and , with distinct articu- lation , a person with a weak voice will make it reach farther than the strongest voice can reach ...
... sound . The quantity of sound necessary to fill even a large space , is smaller than is commonly imagined ; and , with distinct articu- lation , a person with a weak voice will make it reach farther than the strongest voice can reach ...
Сторінка xiv
... sounds . An accurate knowledge of the simple , elementary ounds of the language , and a facility in expressing hem ... sound of the language . SECTION III . Due degree of slowness . In order to express ourselves distinctly , moderation ...
... sounds . An accurate knowledge of the simple , elementary ounds of the language , and a facility in expressing hem ... sound of the language . SECTION III . Due degree of slowness . In order to express ourselves distinctly , moderation ...
Сторінка xv
... sounds , both with more force and more harmony . SECTION IV . Propriety of pronunciation . AFTER the fundamental ... sound which the best usage of the language appropriates to it ; in opposition to broad , vulgar , or provincial ...
... sounds , both with more force and more harmony . SECTION IV . Propriety of pronunciation . AFTER the fundamental ... sound which the best usage of the language appropriates to it ; in opposition to broad , vulgar , or provincial ...
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Adherbal Alexander Selkirk amidst Antiparos appear Archbishop of Cambray attention Bayle beauty behold BLAIR blessing Caius Verres character comforts death Democritus Dionysius distress divine dread earth emphasis enjoy enjoyments envy eternal ev'ry evil father favour feel folly fortune friendship gentle give ground happiness hast Hazael heart heav'n Hephaestion Heraclitus honour hope human inflection innocence Jugurtha king labours live look Lord mankind mercy Micipsa mind misery Mount Etna mountain nature never noble Numidia o'er ourselves pain Pamphylia passions pause peace perfection persons philosopher pleasure possession pow'r praise present pride prince proper Pythias reading reason religion render rest rich rise Roman Senate scene SECTION sense sentence sentiments shade shine Sicily smile sorrow soul sound spirit stancy temper tempest thee things thou thought tion truth vanity vice virtue virtuous voice wisdom wise words young youth