The Repository of Arts, Literature, Fashions &cR. Ackermann ... Sherwood & Company and Walker & Company ... and Simpkin & Marshall, 1824 |
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Сторінка 3
... than eight TERENTIA TRACEMODE . CHAPEAU . The first covering that we find re- gularly used for the head by the French was called chaperon ; it seems to have been B 2 FLUCTUATIONS IN THE FASHION OF HATS . 3 LADIES' MORNING DRESS.
... than eight TERENTIA TRACEMODE . CHAPEAU . The first covering that we find re- gularly used for the head by the French was called chaperon ; it seems to have been B 2 FLUCTUATIONS IN THE FASHION OF HATS . 3 LADIES' MORNING DRESS.
Сторінка 55
... MORNING DRESS . || in the centre . Short full upper sleeve , confined by satin rouleaus placed longitudinally , and supported with satin knots . The bottom of the dress has six wadded satin rouleaus , each headed with a narrow piping ...
... MORNING DRESS . || in the centre . Short full upper sleeve , confined by satin rouleaus placed longitudinally , and supported with satin knots . The bottom of the dress has six wadded satin rouleaus , each headed with a narrow piping ...
Сторінка 56
... MORNING DRESS PROMENADE DRESS . FRENCH FEMALE FASHIONS . PARIS 56 GENERAL OBSERVATIONS ON FASHION AND dress .
... MORNING DRESS PROMENADE DRESS . FRENCH FEMALE FASHIONS . PARIS 56 GENERAL OBSERVATIONS ON FASHION AND dress .
Сторінка 55
... MORNING DRESS . || in the centre . Short full upper sleeve , confined by satin rouleaus placed longitudinally , and supported with satin knots . The bottom of the dress has six wadded satin rouleaus , each headed with a narrow piping ...
... MORNING DRESS . || in the centre . Short full upper sleeve , confined by satin rouleaus placed longitudinally , and supported with satin knots . The bottom of the dress has six wadded satin rouleaus , each headed with a narrow piping ...
Сторінка 56
MORNING DRESS PROMENADE DRESS . FRENCH FEMALE FASHIONS . PARIS , Dec. NARA KEPALA ROP TOPY ARCSK Pub Jan 11824 . NO FRACKERMANNS REPOSITORY OF ART . & c . Pul. Plate 41.
MORNING DRESS PROMENADE DRESS . FRENCH FEMALE FASHIONS . PARIS , Dec. NARA KEPALA ROP TOPY ARCSK Pub Jan 11824 . NO FRACKERMANNS REPOSITORY OF ART . & c . Pul. Plate 41.
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admired appear arranged artist band barège beautiful blond lace bonnet brim called captain Clan Mackenzie Colonel Gilman colour composed daughter dear dinner DINNER DRESS drawing dress Duchess of Maine Duke elegant execution Exhibition eyes FASHIONS father favour feeling feet flowers French front gentleman give gros de Naples hand heart honour husband John Lethbridge king King's Theatre Kintail lady late letter light Lisbon look Lord Lord Dudley louring Madalena melody ment mind Miss morning morning dress muslin Naples nature neral never night ornamented person Piano-forte picture portrait Portugal present racter replied rich Rossini rouleaus round Royal Rutledge satin scene seen shew sion soon spirit style taste ther thing thou thought tion took trimming velvet whole wife wish Wortesly young
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Сторінка 355 - She'd come again, and with a greedy ear Devour up my discourse : which I observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate, Whereof by parcels she had something heard, But not intentively.
Сторінка 124 - Vanbrugh , and is a good example of his heavy though imposing style (*Lie heavy on him, Earth, for he Laid many a heavy load on thee"), with a Corinthian portico in the centre and two projecting wings.
Сторінка 234 - ... management or precaution, to the shoulders of the too merciful executioner. The scene immediately became more interesting. The beadle could by no means be prevailed upon to strike hard, which provoked the constable to strike harder ; and this double flogging continued, till a lass of...
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Сторінка 234 - ... the verse. She then began in a kind of whining recitative, but as she proceeded and as the composition required it, her voice assumed a variety of deep and fine tones, and the energy with which many passages were delivered, proved her perfect comprehension and strong feeling of the subject, but her eyes always continued shut, perhaps to prevent interruption to her thoughts, or her attention being engaged by any surrounding object.