Julius CaesarPenguin, 1 груд. 2000 р. - 304 стор. The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... plays and poems have been thoroughly revised in accordance with recent scholarship, and in some cases have been entirely reedited. New introductions and notes have been provided in all the volumes. But the new Shakespeare is also ...
... plays and poems have been thoroughly revised in accordance with recent scholarship, and in some cases have been entirely reedited. New introductions and notes have been provided in all the volumes. But the new Shakespeare is also ...
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... plays - as part of the celebration of religious and civic festivals, and schools and universities staged classical ... plays were presented) and the Rose theater (which presented Christopher Marlowe's plays and some of Shakespeare's ...
... plays - as part of the celebration of religious and civic festivals, and schools and universities staged classical ... plays were presented) and the Rose theater (which presented Christopher Marlowe's plays and some of Shakespeare's ...
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... play was advertised, as old and new were, through printed playbills posted around London. The metropolitan area's late-Tudor, early-Stuart population (circa 1590-1620) has been estimated at about 150,000 to 250,000. It has been supposed ...
... play was advertised, as old and new were, through printed playbills posted around London. The metropolitan area's late-Tudor, early-Stuart population (circa 1590-1620) has been estimated at about 150,000 to 250,000. It has been supposed ...
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... playing gods, goddesses, and other supernatural figures to and from the main acting area, just as one or more trap ... playing spaces. The amphitheaters' adult companies included both adult men, who played the male roles, and boys, who ...
... playing gods, goddesses, and other supernatural figures to and from the main acting area, just as one or more trap ... playing spaces. The amphitheaters' adult companies included both adult men, who played the male roles, and boys, who ...
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... plays less frequently than the public theaters (perhaps only once a week) and held far fewer spectators than the amphitheaters: about 200 to 600, as opposed to 2,500 or more. Fewer patrons mean a smaller gross income, unless each pays ...
... plays less frequently than the public theaters (perhaps only once a week) and held far fewer spectators than the amphitheaters: about 200 to 600, as opposed to 2,500 or more. Fewer patrons mean a smaller gross income, unless each pays ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong