Eighteenth-century PoetryPatricia Ann Meyer Spacks, Patricia Meyer Spacks Prentice-Hall, 1964 - 451 стор. |
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Сторінка xxv
... seems most purely decorative ( " blushing , " " fantastic " ) is part of the effort at definition . The tulip is “ fantastic " in the sense that it has the appear- ance of being devised by extravagant fancy , to paraphrase a dictionary ...
... seems most purely decorative ( " blushing , " " fantastic " ) is part of the effort at definition . The tulip is “ fantastic " in the sense that it has the appear- ance of being devised by extravagant fancy , to paraphrase a dictionary ...
Сторінка xli
... seem to us most abstract and remote had for their eighteenth - century users highly specific and concrete meanings as ... seems to be doing from a distance . Yet the question remains , even if we are convinced that Latinate language had ...
... seem to us most abstract and remote had for their eighteenth - century users highly specific and concrete meanings as ... seems to be doing from a distance . Yet the question remains , even if we are convinced that Latinate language had ...
Сторінка l
... seems trite , obvious , sentimental . The " fairy hands " of the second stanza seem merely decorative ; the personifications appear to be a retreat from reality . There are some peculiarities about the tone , caused by the unpleasant ...
... seems trite , obvious , sentimental . The " fairy hands " of the second stanza seem merely decorative ; the personifications appear to be a retreat from reality . There are some peculiarities about the tone , caused by the unpleasant ...
Зміст
Introduction | xvii |
Matthew Prior | xxiv |
To the Honorable Charles Montague Esq | 2 |
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Загальні терміни та фрази
ADORATION auld auld lang syne bard beauty beneath bless breast breath charms Christopher Smart clouds Cowper death delight Dunciad e'er earth eighteenth-century ev'n ev'ry fair fame fancy fate fear fire flame flowers frae golden reign grace hand hear heart heav'n honor hour human J. V. Cunningham John John Gay Jonathan Swift king lasses light Lord lyre maid Matthew Prior mind morn Muse nature Nature's ne'er never night numbers nymph o'er pain passion peace periphrasis Philip Larkin plain play pleasure poem poet poetic poetry pow'r praise pride rise round scene scorn sense shade shine sighs sing skelpin sleep smile soft song soul sound spirit Spring strain stream swain sweet Swift thee thou thought toil trembling Twas vale verse virtue voice walk wild William Cowper wind wing woods youth