 | John Dryden - 1800 - 624 стор.
...for the stage, than was ever known to the ancients or moderns of any nation, which is tragi-comedy. And this leads me to wonder why Lisideius and many...the English. Their plots are single; they carry on onedesign, which is pushed forward byall the actors, every scene in the play contributing and moving... | |
 | John Dryden, Edmond Malone - 1800 - 634 стор.
...ancients or moderns of any nation, which is tragi-comcdy. And this leads me to wonder why Lisidcius and many others should cry up the barrenness of the...the English. Their plots are single; they carry on bncdcsign,which is pushed forward by all the actors, jsvcry scene in the play contributing and moving... | |
 | 1902 - 642 стор.
...the English. But the point is that he never attempts to dispute Lisideus's main fact : ' The French carry on one ' design, which is pushed forward by all the actors, every ' scene in the play constituting and moving towards it.' It was because the French did this, even in the period of the... | |
 | John Dryden, John Mitford - 1844 - 536 стор.
...for the stage, than was ever known to the ancients or moderns of any nation, which is tragi-comedy. And this leads me to wonder why Lisideius and many others should cry up the harrenness of the French plots, ahove the variety and copiousness of the English. Their plots are single,... | |
 | John Dryden - 1859 - 482 стор.
...writing for the stage, than was ever known to the ancients or modems of any nation, which is tragicomedy. And this leads me to wonder why Lisideius and many others should ery up the harrenness of the French plots, ahove the variety and copiousness of the English. Their... | |
 | John Dryden - 1889 - 208 стор.
...for the stage, than was ever known to the ancients or moderns of any nation, which is tragi-comedy. ' And this leads me to wonder why Lisideius and many others should cry up the barrenness of the 25 French plots, above the variety and copiousness of the English. Their plots are single ; they carry... | |
 | John Dryden - 1892 - 428 стор.
...for the stage, than was ever known to the ancients or moderns of any nation, which is tragi-comedy. And this leads me to wonder why Lisideius and many...in the play contributing and moving towards it. Our plays,t besides the main design, have under-plots, or by-concernments, of less considerable persons... | |
 | John Dryden, Walter Scott - 1892 - 428 стор.
...for the stage, than was ever known to the ancients or moderns of any nation, which is tragi-comedy. And this leads me to wonder why Lisideius and many...in the play contributing and moving towards it. Our plays,t besides the main design, have under-plots, or by-concernments, of less considerable persons... | |
 | John Dryden - 1898 - 232 стор.
...French plots, above the variety and copiousness of the English. Their plots are single; they carry on 30 one design, which is pushed forward by all the actors,...by-concernments, of less considerable persons and inirigues, which are carried on with the motion of the main plot: as they 5 say the orb of the fixed... | |
 | John Dryden - 1898 - 224 стор.
...the stage, than was ever known to the ancients or moderns of any 25 nation, which is tragi-comedy. "And this leads me to wonder why Lisideius and many...the English. Their plots are single; they carry on 30 one design, which is pushed forward by all the actors, every scene in the play contributing and... | |
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And this leads me to wonder why Lisideius and many others should cry up the barrenness of the French plots above the variety and copiousness of the English. Their plots are single. They carry on one design, which is pushed forward by all the actors, every... 
