Specimens of NarrationWilliam Tenney Brewster H. Holt, 1895 - 209 стор. |
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Сторінка vi
... Mirzah , Part IV . Style in Marration : 61 71 188 77 85 103 119 137 143 157 I. W. M. Thackeray : From Vanity Fair , 2. Henry James : From Confidence , 167 195 INTRODUCTION . I. If we accept any of the well vi CONTENTS .
... Mirzah , Part IV . Style in Marration : 61 71 188 77 85 103 119 137 143 157 I. W. M. Thackeray : From Vanity Fair , 2. Henry James : From Confidence , 167 195 INTRODUCTION . I. If we accept any of the well vi CONTENTS .
Сторінка xv
... style . of the objective III . ONCE knowing his purpose , the next thing for a narrator to do is to determine on the objective point best suited to exemplify his purpose , and so to The necessity choose his material as best to bring ...
... style . of the objective III . ONCE knowing his purpose , the next thing for a narrator to do is to determine on the objective point best suited to exemplify his purpose , and so to The necessity choose his material as best to bring ...
Сторінка xxv
... Styles ) and of Mr. Percy Russell ( A Guide to British and Amer- ican Novels , a very ill - written book ) into novels dealing with English life , novels dealing with Scotch life , novels dealing with naval life , and so on ; as if life ...
... Styles ) and of Mr. Percy Russell ( A Guide to British and Amer- ican Novels , a very ill - written book ) into novels dealing with English life , novels dealing with Scotch life , novels dealing with naval life , and so on ; as if life ...
Сторінка xxix
... style . It is hardly necessary to say that these specimens are not intended for imitation . For incidental prac- tice and pleasure there is no serious objection to an imitating of Poe or Mr. Henry James ; but to expect any permanent ...
... style . It is hardly necessary to say that these specimens are not intended for imitation . For incidental prac- tice and pleasure there is no serious objection to an imitating of Poe or Mr. Henry James ; but to expect any permanent ...
Сторінка xxx
... style must study all ways of expressing a given idea and must see which is best suited to his purpose . Let the student narrate the details as they appear in time ; let him select some objective point and shade his material to that ...
... style must study all ways of expressing a given idea and must see which is best suited to his purpose . Let the student narrate the details as they appear in time ; let him select some objective point and shade his material to that ...
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action Adam Bede Alan Alan Breck Stewart Amelia appeared Bareacres Barr-Saggott Beighton Born Brander Matthews Brussels captain carriage Chapter character cried Daniel Deronda David David Balfour dear Jane door dramatic Edited by Prof effect elements Elton Emma English Essays exposition eyes face fact fiction Fletcher and Carpenter Frank Churchill French George Eliot girl give Godfrey hand heard Henry James horses illustrated incident interest introduction Isidor Jane Johnson Jupiter kind Kitty lady lance Legrand Longueville looked Lydgate Macneil massa material ment method Middlemarch mind Miss Beighton mood narration narrative never O'Dowd objective point opening Partial Portraits passage passed person plot purpose realism Rebecca Romance round-house seemed selection short story Silas Marner sketch smile specimens Stevenson's stranger structure student style sword tell things Thomas Hardy thought tion Tom Jones turned Weston whole wife words young ΙΟ
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Сторінка 157 - I ascended the high hills of Bagdat, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life...
Сторінка 158 - I drew near with that reverence which is due to a superior nature; and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept.
Сторінка 159 - What is the reason, said I, that the tide I see rises out of a thick mist at one end, and again loses itself in a thick mist at the other ? What thou seest, says he, is that portion of eternity which is called time, measured out by the sun, and reaching from the beginning of the world to its consummation. Examine now...
Сторінка 159 - I see, said I, a huge valley, and a prodigious tide of water rolling through it. The valley that thou seest, said he, is the vale of misery, and the tide of water that thou seest is part of the great tide of eternity. What is the reason...
Сторінка 158 - Bagdat, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life ; and passing from one thought to another, Surely, said I, man is but a shadow, and life a dream.
Сторінка 163 - The genius making me no answer, I turned about to address myself to him a second time, but I found that he had left me; I then turned again to the vision which I had been so long contemplating, but instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long hollow valley of Bagdat, with oxen, sheep, and camels grazing upon the sides of it.
Сторінка 160 - But tell me further, said he, what thou discoverest on it. I see multitudes of people passing over it, said I, and a black cloud hanging on each end of it. As I looked more attentively, I saw several of the passengers dropping through the bridge into the great tide that flowed underneath it; and upon...
Сторінка 158 - I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life ; and passing from one thought to another, " Surely," said I, " man is but a shadow, and life a dream.
Сторінка 162 - Gladness grew in me upon the discovery of so delightful a scene. I wished for the wings of an eagle, that I might fly away to those happy seats ; but the genius told me there was no passage to them, except through the gates of death that I, saw opening every moment upon the bridge.
Сторінка 160 - Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which, added to those that were entire, made up the number about an hundred.