"Maracatu Atômico": Tradition, Modernity, and Postmodernity in the Mangue Movement of Recife, Brazil

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Psychology Press, 2002 - 228 стор.
"Maracatu At¿mico" is the first academic work to investigate the mangue movement, one of Brazil's most vital pop culture trends of the last thirty years, and the related "new music scene" of Northeast Brazil. Contending with the widespread poverty and social problems, mangue places a renewed value on the local environment and its myriad folk traditions while embracing modern, global pop influences and technology. The book provides historical and ethnographic accounts of the movement, analyzes salient examples of folk and pop fusion music, and enters recent debates about postmodernity, globalization, and "world music" in an attempt to understand better how local musicians in one "Third World" region interact within a more global cultural system.
 

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Зміст

Introduction
1
Theoretical Orientation
10
Research Methods and Fieldwork Synopsis
17
A History
27
Mundo Livre SA Free World Ltd
37
The Manifesto Mangue
43
Pernambucan Precedents to Mangue
56
The 1980s Boom in Brazilian Rock
63
Rock Rap and Mangue
86
Mangue Postmodernity and the Global Culture Debate
101
Mangue and the Global Culture Debate
119
Appendices
127
Song Notes
157
Fieldwork Account
163
Glossary
199
Discography
213

New Folkloric Associations
69
Regional Folk Artists and Associations
80

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Про автора (2002)

Philip Galinsky, PhD is Director of Samba New York!

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