Z. Angl. AmVEB Verlag Enzyklopädie, 2006 |
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Сторінка 94
... voice ( and body ) , literary poetics of writing vs. cultural poetics of playing , literary vs. theatrical authorship and author- ity ... - all of them in some ways analogous yet all of them slightly different . What might appear as ...
... voice ( and body ) , literary poetics of writing vs. cultural poetics of playing , literary vs. theatrical authorship and author- ity ... - all of them in some ways analogous yet all of them slightly different . What might appear as ...
Сторінка 107
... voice - based discourse claims a homogenizing authentic voice behind oral discourses thus overtly linking orality with a fixed sense of authenticity , the text- oriented model emphasizes the elements of subversion and resistance in oral ...
... voice - based discourse claims a homogenizing authentic voice behind oral discourses thus overtly linking orality with a fixed sense of authenticity , the text- oriented model emphasizes the elements of subversion and resistance in oral ...
Сторінка 108
... voice , style and discourse . Hurm positions his theoretical grounding as a response to oralist studies by critics such as Milman Parry , Albert Lord , Jack Goody , Eric Havelock , Marshall McLuhan , and Walter Ong as well as to ...
... voice , style and discourse . Hurm positions his theoretical grounding as a response to oralist studies by critics such as Milman Parry , Albert Lord , Jack Goody , Eric Havelock , Marshall McLuhan , and Walter Ong as well as to ...
Зміст
KYLIE CRANE | 21 |
LARS ECKSTEIN | 51 |
STEFAN GLOMB | 65 |
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