Z. Angl. AmVEB Verlag Enzyklopädie, 2006 |
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Сторінка 16
... narrative may be approached as a presentation of and experi- mentation with musical structures and effects in the verbal medium . Sharing temporal progression with music , narrative lacks the capacity for the simultaneity of harmony ...
... narrative may be approached as a presentation of and experi- mentation with musical structures and effects in the verbal medium . Sharing temporal progression with music , narrative lacks the capacity for the simultaneity of harmony ...
Сторінка 17
... narrative style without the necessity of evoking the analogy . Another possible parallel to music , and perhaps the most suggestive one in the narrative , is that of counterpoint . " This musical device requires harmony , yet the ...
... narrative style without the necessity of evoking the analogy . Another possible parallel to music , and perhaps the most suggestive one in the narrative , is that of counterpoint . " This musical device requires harmony , yet the ...
Сторінка 109
... narrative results not from Clemens ' vernacular twist , as Hurm underscores , but from a juxtaposi- tion of different styles and a variety of gen- res that infuse the narrative progression and undermine a closed coherent voice ( 116 ) ...
... narrative results not from Clemens ' vernacular twist , as Hurm underscores , but from a juxtaposi- tion of different styles and a variety of gen- res that infuse the narrative progression and undermine a closed coherent voice ( 116 ) ...
Зміст
KYLIE CRANE | 21 |
LARS ECKSTEIN | 51 |
STEFAN GLOMB | 65 |
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