Z. Angl. AmVEB Verlag Enzyklopädie, 2006 |
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Сторінка 107
... concept in both voice- based modernist and text - based postmod- ernist readings of literary texts ( 240 ) . Both approaches , as Hurm argues , lead to a re- ductionist interpretation of Clemens's texts . While the voice - based ...
... concept in both voice- based modernist and text - based postmod- ernist readings of literary texts ( 240 ) . Both approaches , as Hurm argues , lead to a re- ductionist interpretation of Clemens's texts . While the voice - based ...
Сторінка 299
... concept : the filmic writing mode [ " filmische Schreibwei- se " ] ( Paech 1997a , ix ) . Hence , according to Paech , the filmic writing mode " is precisely not about contents in the ordinary understanding ( the imaginary ) , but about ...
... concept : the filmic writing mode [ " filmische Schreibwei- se " ] ( Paech 1997a , ix ) . Hence , according to Paech , the filmic writing mode " is precisely not about contents in the ordinary understanding ( the imaginary ) , but about ...
Сторінка 303
... concept is unconceivable . On the other hand , a text to - be - montaged by the reader without an agency that pre - selects the frag- ments for the reader's act of montaging cannot be conceived of either : that's why a total erasure of ...
... concept is unconceivable . On the other hand , a text to - be - montaged by the reader without an agency that pre - selects the frag- ments for the reader's act of montaging cannot be conceived of either : that's why a total erasure of ...
Зміст
KYLIE CRANE | 21 |
LARS ECKSTEIN | 51 |
STEFAN GLOMB | 65 |
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