Desire and Excess: The Nineteenth-century Culture of ArtPrinceton University Press, 20 серп. 2000 р. - 352 стор. In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. |
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... institutions has only been possible because art histo- rians have produced books and articles hospitable and even inspiring to a stranger from another discipline . As I turn to institutions and people who have had a more direct impact ...
... institutions in culture , the manner in which institutions not only contain cultural desires but shape them as well . The uncertain and contentious nature of art in contemporary culture has been made clear by any num- ber of recent ...
... institutions and the imagination of institutions in culture . I hope to demonstrate not only the fruitful results of bringing the development of institutions of art such as the academy and the mu- seum into relation with the study of ...
... institution . If one happens to come across a complete cast collection , the effect of so much matter , of the jumble of culture , is a kind of mystified wonder , like that felt when confronting the remnants of a World's Fair ...
... institutional and social developments that allowed such debates to take place in the first place . Changing taste and , even more , our fundamentally different ideas about taste itself have made it difficult to see just how much the ...
Зміст
David and Fuseli The Artist in the Museum the Museum in the Work of Art | 17 |
The Oaths | 18 |
Before Ruins | 28 |
Monuments of Pure Antiquity The Challenge of the Object in Neoclassical Theory and Pedagogy | 40 |
The Statue and the Penis | 47 |
The Penis and the Statue | 64 |
United Completer Knowledge Barry Blake and the Search for the Artist | 73 |
Blake and the Work of Art | 76 |
ABSENCE AND EXCESS THE PRESENCE OF THE OBJECT | 165 |
Outline Collection City Hazlitt Ruskin and the Encounter with Art | 167 |
Asking for the Old Pictures Hazlitts Dream of the Louvre | 168 |
Art Treasure Exhibition | 180 |
Hazlitt and Ruskin on Flaxman | 189 |
Vast KnowledgeNarrow Space The Stones of Venice | 197 |
The Natures of Gothic | 209 |
THE DEATHS OF THE CRITICS | 225 |
Stupendous Originals | 80 |
THE AUTHOR AS WORK OF ART ACCUMULATION DISPLAY AND DEATH IN LITERARY BIOGRAPHY | 91 |
Hazlitt Scott Lockhart Intimacy Anonymity and Excess | 93 |
Hazlitt on Contemporary Life | 102 |
The Life of Scott | 113 |
Keats In the Library in the Museum | 130 |
Accommodating Art | 133 |
The Museum of the Mind | 150 |
Modernity as Resurrection in Pater and Wilde | 227 |
A Pomegranate Cut with a Knife of Ivory | 251 |
Las Meninas as Cover Foucault Velazquez and the Reflection of the Museum | 263 |
NOTES | 279 |
ILLUSTRATION CREDITS | 337 |
339 | |
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Desire and Excess: The Nineteenth-century Culture of Art Jonah Siegel Обмежений попередній перегляд - 2000 |
Desire and Excess: The Nineteenth-Century Culture of Art Jonah Siegel Обмежений попередній перегляд - 2021 |
Desire and Excess: The Nineteenth-century Culture of Art Jonah Siegel Обмежений попередній перегляд - 2000 |
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