Desire and Excess: The Nineteenth-century Culture of ArtPrinceton University Press, 20 серп. 2000 р. - 352 стор. In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable. |
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... Challenge of the Object in Neoclassical Theory and Pedagogy The Statue and the Penis The Penis and the Statue CHAPTER THREE " United , Completer Knowledge " : Barry , Blake , and the Search for the Artist Alternative Origins Joseph of ...
... challenged it to reach . Desire and Excess began as graduate work at Columbia University su- pervised by Steven Marcus . I am happy to have the opportunity to ac- knowledge my long - standing debt to his forbearance , rigor , and ...
... challenges of self - con- sciously new movements — of modernism or even postmodernism — as having sources deep in the nineteenth - century culture of art that gave rise to the modern artist in the first place . 1 Neither a history of ...
... taste in our own day have proved difficult to trace in large part because of the methodological challenge of engaging past aesthetic values . 9 The instances I cite represent simple shifts in taste for which PREFACE XXV.
... challenge for the student of the nineteenth century is to recuperate something of the values , institutions , and desires behind these differences and , indeed , behind these changes . The inescapable if surprising truth is that an ...
Зміст
David and Fuseli The Artist in the Museum the Museum in the Work of Art | 17 |
The Oaths | 18 |
Before Ruins | 28 |
Monuments of Pure Antiquity The Challenge of the Object in Neoclassical Theory and Pedagogy | 40 |
The Statue and the Penis | 47 |
The Penis and the Statue | 64 |
United Completer Knowledge Barry Blake and the Search for the Artist | 73 |
Blake and the Work of Art | 76 |
ABSENCE AND EXCESS THE PRESENCE OF THE OBJECT | 165 |
Outline Collection City Hazlitt Ruskin and the Encounter with Art | 167 |
Asking for the Old Pictures Hazlitts Dream of the Louvre | 168 |
Art Treasure Exhibition | 180 |
Hazlitt and Ruskin on Flaxman | 189 |
Vast KnowledgeNarrow Space The Stones of Venice | 197 |
The Natures of Gothic | 209 |
THE DEATHS OF THE CRITICS | 225 |
Stupendous Originals | 80 |
THE AUTHOR AS WORK OF ART ACCUMULATION DISPLAY AND DEATH IN LITERARY BIOGRAPHY | 91 |
Hazlitt Scott Lockhart Intimacy Anonymity and Excess | 93 |
Hazlitt on Contemporary Life | 102 |
The Life of Scott | 113 |
Keats In the Library in the Museum | 130 |
Accommodating Art | 133 |
The Museum of the Mind | 150 |
Modernity as Resurrection in Pater and Wilde | 227 |
A Pomegranate Cut with a Knife of Ivory | 251 |
Las Meninas as Cover Foucault Velazquez and the Reflection of the Museum | 263 |
NOTES | 279 |
ILLUSTRATION CREDITS | 337 |
339 | |
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Desire and Excess: The Nineteenth-century Culture of Art Jonah Siegel Обмежений попередній перегляд - 2000 |
Desire and Excess: The Nineteenth-Century Culture of Art Jonah Siegel Обмежений попередній перегляд - 2021 |
Desire and Excess: The Nineteenth-century Culture of Art Jonah Siegel Обмежений попередній перегляд - 2000 |
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