The Renaissance of Art in France, Том 2C. Kegan Paul & Company, 1879 |
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Сторінка 13
... grisaille claire , which softened , but did not exclude , the full light of a northern day . In the accounts of the chapter of Sens for 1530 , a payment , already quoted , was made to Jean Cousin for having ' raccoustré ' a statue of ...
... grisaille claire , which softened , but did not exclude , the full light of a northern day . In the accounts of the chapter of Sens for 1530 , a payment , already quoted , was made to Jean Cousin for having ' raccoustré ' a statue of ...
Сторінка 31
... grisaille , forming an arch above , which sets back the subject . The angles are filled with the favourite monogram of Henri II . , and at the base are figured martial trophies , accom- panied by the salamander of François I. The same ...
... grisaille , forming an arch above , which sets back the subject . The angles are filled with the favourite monogram of Henri II . , and at the base are figured martial trophies , accom- panied by the salamander of François I. The same ...
Сторінка 66
... grisaille glass - paintings of Anet were the ultimate expression by Cousin of the same predilections . It is true that De l'Orme himself claims the credit of having suggested their employment at Anet : ' Les vitres , ' he says , ' que j ...
... grisaille glass - paintings of Anet were the ultimate expression by Cousin of the same predilections . It is true that De l'Orme himself claims the credit of having suggested their employment at Anet : ' Les vitres , ' he says , ' que j ...
Сторінка 179
... grisaille came into vogue . The painted preparation was aban- doned , and in its stead a coating of black enamel was usually applied to the plate ; on this was superimposed a coating of white enamel upon which the drawing was worked up ...
... grisaille came into vogue . The painted preparation was aban- doned , and in its stead a coating of black enamel was usually applied to the plate ; on this was superimposed a coating of white enamel upon which the drawing was worked up ...
Сторінка 188
... grisaille . All three are in his later and better manner . His earlier work has a tentative character , the drawing is as precise and not more correct than that of Reymond , and the colour 188 RENAISSANCE OF ART IN FRANCE .
... grisaille . All three are in his later and better manner . His earlier work has a tentative character , the drawing is as precise and not more correct than that of Reymond , and the colour 188 RENAISSANCE OF ART IN FRANCE .
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accent Admiral amongst angel artist bears beauty British Museum chapel character château church cloth Clouet Colln colour composition Crown 8vo decoration Delaulne's delicate Demy 8vo Diane de Poitiers Didot drawing Dürer Duvet Écouen elegance employed enamel engraving entry executed faïence faïence Henri figures France François French Frontispiece German glass glass-painting Goujon graceful grisaille hand Henri II Huguenot Illus Illustrations invention Jean Clouet Jean Cousin Jean Duvet Jean Penicaud Jean Perréal King l'Orme Laborde Large post 8vo Lenoir Léonard Limosin Limoges lines Livre de Perspective Louvre Louvre L. R. maître Marie Bowyer medallions Narford noble Oiron original ornament paintings Palissy Palissy's Paris peintre Perréal pieces Pierre Reymond plate Poems portrait price 35 Renaissance reproduced Rouen Second Edition seems Sens shows signed Small crown 8vo style supposed tazza Third Edition tion tone touch Translated vols volume whilst Xaintes
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